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Lisa Hopkins

. Ford, John. Fames Memoriall . The Nondramatic Works of John Ford . Eds. L. E, Stock, Gilles D. Monsarrat, Judith M. Kennedy and Dennis Danielson. Binghampton: Medieval and Renaissance Texts and Studies, 1991. Ford, John. Love’s Sacrifice. Ed. A. T. Moore. Manchester: Manchester University Press, 2002. Ford, John. The Broken Heart. Ed. T. J. B. Spencer. Manchester: Manchester University Press, 1980). Golz, David. “Diamonds, Maidens, Widow Dido, and Cock-a-diddle dow”. ComparativeDrama, 43.2 (summer 2008

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Reghina Dascăl

References Dalarun, J. 1992. “The Clerical Gaze” in C. Klapisch-Zuber (ed.). A History of Womenin the West II. Silences of the Middle Ages . Cambridge, MA, London: Harvard University Press, pp.15-42. Ehrenreich, B. and D. English. 1973. Witches, Midwives and Nurses: A History ofWomen Healers . New York: Feminist Press. Eisaman Maus, K. 1995. Inwardness and Theater in the Renaissance . Chicago: University of Chicago Press. Frugoni, C. 1992. “The Imagined Woman” in C. Klapisch-Zuber (ed

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Egil Grislis

: Williams B. Eerdmans. Bromiley, GW (1953) Zwingli and Bullinger (Library of Christian Classics). Philadelphia, PA: Westminster Press. Brown, P (1967) Augustine of Hippo: A Biography. Berkeley and Los Angeles, CA: University of California Press. Bullinger, H (1852) The Decades, volumes 1-10. Cambridge: The Parker Society. Bush, D (1939) The Renaissance and English Humanism. Toronto: University of Toronto Press. Calvin, J (1960) The Institutes of the Christian Religion. Philadelphia, PA

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Natalia Petruk

References 1. Alberti, L. (1960). I libri della famiglia. Opert volgari [Thoughts on Family. The Collections of Works]. Volume 1. Laterza, 472 p. (in Italian). 2. Garin, E. (1971). Educazione umanistica in Italia [Humanistic Education on Italy], Bari, 120 p. (in Italian). 3. Kristeller, P. (1974). Humanismus und Renaissance [Humanism and Renaissance]. Munchen : Fink, 539 p. (in German). 4. Lytvynov, V. (2012). Ukraine: Seeking Its Identity. The 16th-Early 17th Centuries. Historical and

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Carmen Toribio Marín

References ADORNI (2000), “Villa Lante a Bagnaia: storia e interpretazioni”, in Monique Mosser and Georges Teyssot, History of garden design: the western tradition from the Renaissance to the present day, London: Th ames & Hudson. ALMAGRO GORBEA, Antonio (2007), “Una nueva interpretación del Patio de la Casa de la Contratación del Alcázar de Sevilla”, Al- -Qanṭara XXVIII 1, pp.181-228. ALMAGRO GORBEA, Antonio (2005), “El Palacio de Pedro I en Tordesillas: realidad e hipótesis”, Reales Sitios, no 163, pp. 2

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Natalia Petruk

References 1. Домбровський, І. (1995). Дніпрові камені. Українські гуманісти епохи Відродження. Антологія [Dnipro Stones. Ukrainian humanist of Renaissance. Anthology]. K. : Наукова думка; Основи, Part 2, p. 200–221 (in Ukrainian). 2. Кленович, С. (1984). Роксоланія. Антологія української поезії [Roksolania. Anthology of Ukrainian poetry]. V. 1. K. : Дніпро, p. 62–77 (in Ukrainian). 3. Литвинов, В. (2000). Ренесансний гуманізм в Україні [Renaissance humanism in Ukraine]. K : Основи, p. 468 (in Ukrainian). 4. Литвинов, В. (2005). Католицька Русь

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Olivier Dupuis

Abstract

During the nineteenth century, many sources were published about the regulation of fencing in Renaissance France. Comparing those sources shows significant though incomplete uniformity in the formalities observed in the training of students of fencing, particularly in the process followed by the neophyte in his passage to mastery of the art of defence.

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Jean Chandler

). Nicoletto Giganti, The ‘Lost’ Second Book of Nicoletto Giganti (1608): A Rapier Fencing Treatise, translated by P. Terminiello and J. Pendragon (London: Fox Spirit, 2013). Senese, translated by Piermarco Terminiello, unpublished work. VIII.2. Secondary literature Anglo, Sydney, Martial Arts of Renaissance Europe (New Haven: Yale University Press, 2000). Baker, Nicholas Scott, Writing the Wrongs of the past: Vengeance, Humanism, and the Assassination of Alessandro de’ Medici’ The Sixteenth Century Journal , 38/2 (2007). Dollinger, Philippe

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Helen Cooper

Companion and Guide. London: HarperCollins, 2005 Hough, Graham. “Old Western Man”, reprinted in Watson 235-45 Leith, Sam.“C.S. Lewis’s Literary Legacy”. The Guardian, 19 November 2013 Lewis, C.S. The Discarded Image: an Introduction to Medieval and Renaissance Literature. Cambridge: Cambridge University Press. 1964. --- . An Experiment in Criticism. Cambridge: Cambridge University Press, 1961 ---. Studies in Words. Cambridge: Cambridge University Press, 1960 (2nd revised ed, 1967

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Tomáš Jajtner

. Heninger, S. K. Touches of Sweet Harmony: Pythagorean Cosmology and Renaissance Poetics . San Marino, CA: Huntington Library Press, 1974. Print. Jajtner, Tomáš. Concepts of Harmony in Five Metaphysical Poets . Červený Kostelec: Pavel Mervart, 2012. Print. Love, Glen A. Practical Ecocriticism: Literature, Biology, and the Environment . Charlottesville, VA: University of Virginia Press, 2003. Print. Lucas, F. L. Authors Dead and Living . London: Chatto & Windus, 1926. Print. Marvell, Andrew. The Complete Poems . London: Penguin, 1972. Print