Search Results

You are looking at 1 - 10 of 130 items for :

Clear All
Open access

Raluca Moldovan

Works Cited Abbott, Megan E. The Street Was Mine. White Masculinity in Hardboiled Fiction and Film Noir. New York: Palgrave Macmillan, 2002. Print. Brook, Vincent. Driven to Darkness. Jewish Émigré Directors and the Rise of Film Noir . New Brunswick: Rutgers University Press, 2009. Print. Chopra-Gant, Mike. Hollywood Genres and Postwar America. Masculinity, Family and Nation in Popular Movies and Film Noir . London: I. B. Tauris Publishers, 2006. Print. Dickos, Andrew. Street with No Name. A History of Classic American Film Noir . Lexington

Open access

New Narrative Depths?

Spectacle and Narrative in Blockbuster Cinema Revisited

Erlend Lavik

Bibliography Altman, R. (1992) ‘Dickens, Griffith, and Film Theory Today’, in Gaines J., (ed.) Classical Hollywood Narrative. The Paradigm Wars . Durham and London: Duke University Press, 9-47 Beebe, R.W. (2000) ‘After Arnold: Narratives of the Posthuman Cinema’, in Sobchack V. (ed.) Meta-Morphing. Visual Transformation and the Culture of Quick-Change . Minneapolis: University of Minnesota Press, 159-179 Begley, A. (2005) ‘The Art of Fiction CXXXV: Don DeLillo’, in DePietro T. (ed.) Conversations with Don Delillo . Jackson: University Press

Open access

Susan Flynn

Abstract

Twenty first century film evokes a new topology of the body. Science and technology are the new century’s ‘sovereign power’ which enforces biopolitics through bodies which, by virtue of being seen at their most fundamental level, have become docile surfaces. The film body is at once manipulated and coerced into an ethos of optimization; a thoroughly scientific and ‘molecular’ optimization which proffers ‘normalization’ and intimately regulated bodies. In the film bodies of this millennium, bodily intervention results in surveillance becoming internalized. Now the body is both a means and an end of social control. This essay applies the philosophies Michel Foucault and Nikolas Rose to twenty first century Hollywood film, elucidating a new tropos, a new film body/body of film.

Open access

E Gregg, C Hill, M Hollywood, M Kearney, D McLaughlin, K McAdam, M Williams and S Purkis

Abstract

At the request of the UK Department of Health, samples of 25 commercial UK cigarette brands were provided to LGC Ltd a for smoke analysis. The brands reflected a high market share (58% in July 2001) and included a wide range of blend and product styles manufactured and imported into the UK.= 0.76), suggesting a minor role of other design features on constituents yield variability. This was confirmed by the application of multiple regression analysis to the data. A subset of five brands, retested at another laboratory, gave between-laboratory differences in mean constituent yields of as much as 2.5-fold. Consideration of these results, other likely sources of analytical variation in this study and a review of other studies, clearly indicates that any tolerance values to be associated with individual smoke constituent measurements will be greater than those for NFDPM, and in some cases, much greater. Consistent with the reported results from other large studies it is concluded that, under ISO smoking conditions, smoke constituent yields are largely predictable, if NFDPM and CO yields are known, for a standard cigarette. Given these observations and the likely limitations of analytical determination, the need for routine measurement of smoke constituent yields, other than NFDPM, nicotine or CO, on standard cigarettes, is questionable.

Open access

Anton Karl Kozlovic

: 26-29. Bellevie, Lesa. 2005. The Complete Idiot’s Guide to Mary Magdalene. New York: Alpha. Bernheimer, Kathryn. 1998. The 50 Greatest Jewish Movies: A Critic’s Ranking of the Very Best. Secaucus, NJ: Birch Lane Press. Birchard, Robert S. 2004. Cecil B. DeMille’s Hollywood. Lexington: University Press of Kentucky. Bona, Damien. 1996. Starring John Wayne as Genghis Khan. Secaucus, NJ: Citadel Press. Bowers, Ronald. 1982. Male and Female. In Magill’s Survey of Cinema. Silent Films. Volume

Open access

Tutku Akter and Serife Incirlili

, 2016) Eco, U. (1976). A theory of semiotics. Bloomington: Indiana University Press. Guclu, Abbas 2008. Mustafa, Can Dündar ve eleştiriler. Milliyet Newspaper, Daily, December 8, 2008. Kellner D 2004. Reflections on Hollywood film in the age of Reagan.Hollywood: Cultural dimensions: ideology, identity and cultural industry studies, 4, p.69. Laughey D 2010. Media Studies. Oldcastle Books. Rushton R, Gary B 2010a. Apparatus Theory: Jean-Louis Baudry and Christian Metz. In: Richard Rushton

Open access

Eva Näripea and Ewa Mazierska

, David 1985. Narration in the Fiction Film . Madison: University of Wisconsin Press. Bordwell, David 2008. Poetics of Cinema . New York, London: Routledge. Dalton, Stephen 2015. ‘Roukli’. – Hollywood Reporter , 3 December. http://www.hollywoodreporter.com/review/roukli-film-review-845702 (18 August 2016). Delfi 2014. ‘Täna algavad Veiko Õunpuu uue mängufilmi võtted’. – Delfi. Publik , 7 July. http://publik.delfi.ee/news/kino/tana-algavad-veiko-ounpuu-uue-mangufilmi-votted?id=69307147 (21 July 2016). del Mar Azcona, Mariá 2010. The

Open access

Attila Imre

: Scholastica. Lewis, Michael. 1986. The English Verb: An Exploration of Structure and Meaning . Hove: Language Teaching Publications. Magay, Tamás–Országh, László. 1993. Magyar–angol kéziszótár . Budapest: Akadémiai Kiadó. Meers, Philippe. 2004. ‘It’s the language of film!’: Young film audiences on Hollywood and Europe. In Stokes, M.–Maltby, R. (eds), Hollywood Abroad: Audiences and Cultural Exchange , 158–75. London: British Film Institute. Petrocchi, Valeria. 2006. Translation as an aid in teaching English as a second language. Translation

Open access

Harro Rannamets

://www.cdc.gov/pcd/issues/2012/pdf/12_0170.pdf (25 August 2013). Gokhale, S. V. 2010. Comparative Study of the Practice of Product Placement in Bollywood and Hollywood Movies.Master’s Thesis. San José State University, The Faculty of the School of Journalism and Mass Communications.San José. Goodwin, L. 2008. ‘Quantum of Solace sets product placement record’. - Filmonic, October 27. http://filmonic.com/quantum-solace-sets-productplacement- record (27 April 2012). Greenberg, B. S.; Fazal, S.; Wober, M. 1986. Children’s Views on Advertising

Open access

Madis Järvekülg, Ulrike Rohn and Indrek Ibrus

REFERENCES Elmer, Greg; Gasher, Mike 2005. Contracting Out Hollywood: Runaway Productions and Foreign Location Shooting . Lanham: Rowman & Littlefield. Ibrus, Indrek 2015. ‘Audiovisual Policymaking in Estonia at Times of Convergence: An “Innovation System” as a Policy Rationale’. – Baltic Screen Media Review 3, 102–115.