Beugnet, Martine. 2007. Cinema and Sensation. French Cinema and the Art of Transgression. Edinburgh: Edinburgh University Press.
Brakhage, Stanley. 1963. Metaphors on Vision. New York: Film Culture Inc.
Creed, Barbara. 1993. The Monstrous Feminine. Film, Feminism, Psychoanalysis . London, New York: Routledge.
Dahlquist, Marina, Doron Galili, Jan Olsson, and Valentine Robert, eds. 2018. Corporeality in Early Cinema: Viscera, Skin, and Physical Form . Indianapolis: Indiana University Press.
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The thesis of the present paper is to investigate the reasons why it may become difficult for the 20th century Western woman to avoid feeling trapped within her status of motherhood and to transcend her immanence as a woman. Simone de Beauvoir argues in The Second Sex, Part V, chapter XVII (“The Mother”) that the modern Western woman proves unable to transgress her own immanence. What are the three factors that stand in the way of the woman's existential telos? What is the natural consequence of her Snow White-type of imprisonment? Will she impose the same pattern of panoptic surveillance upon her own offspring?
Stratigraphic evidence of a Late Maeotian (Late Miocene) punctuated transgression in the Tanais Palaeobay (northern part of the Eastern Paratethys, South-West Russia)
The Tanais Palaeobay was located in the northern periphery of the eastern Paratethys Sea during the Late Miocene. New data from the Safianovo section (Rostov Dome, South-West of Russia) confirm that skeletal limestones (coquinites) of the Merzhanovskaja Formation belong to the Congeria (Andrusoviconcha) amygdaloides navicula Zone of the upper Upper Maeotian (the Maeotian is a regional chronostratigraphic unit of the Upper Miocene). Correlation of reference sections of these Upper Maeotian deposits within the Rostov Dome results in pattern of the palaeobay transgression, which was punctuated. The relative importance of local and global controls on this trangsression is not yet clear.
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Rai, J., Bajpai, S., Kumar, R., Singh, A., Kumar, K. & Prakash, N., 2016. The earliest marine transgression in western India: New insights from calcareous nannofossils from Lathi Formation, Jaisalmer Basin. Current Science 111, 1631–1639.
Raju, D.S.N. (Ed.), 2007. Stratigraphic Mega Charts for the Indian Subcontinent . International Commission on
Anastasia K. Markova, Andrey L. Chepalyga and Andrey Yu. Puzachenko
Chepalyga, A. L., Lavrentiev, N. V., Pirogov, A. N. (2007): Extreme sedimentation in the Manych valley during Khvalynian transgression. – In: Proceedings of the tenth International Symposium on River Sedimentation, August 1–4, 2007, Moscow, Russia; vol. 5. MGU, Faculty of Geograpgy, Moscow, pp. 37–47.
Gromov, I. M., Erbaeva, M. A. (1995): Mlekopitayushchie fauny Rossii i sopredel’nykh territoriy: Zaitseobraznye i gryzuny [The mammals of Russia and adjacent territories: Lagomorphs and rodents]. – Zoological Institute of RAS, St. Petersburg, 521
Ihina, Z. (2014). “Reasonable aberrations” of the Gothic: A cultural insight into narrative through allegorical and symbolic modes of interpreting recurrent topics. In Scholarly Letters of Nizhyn state university . Nizhyn: NSU Publishing House, 4, p. 105-110. / Naukovi zapysky. Nizhyn: Vydavnytstvo Nizhynskoho derzhavnoho universytetu, 4, p. 105-110. / Наукові записки. Ніжин: Видавництво НДУ, 4, p. 105-110.
Jenks, C. (2003). Transgression . London: Routledge.
Karasik, V.I. (2010). Linguistic crystallisation of sense . Moscow: Gnozis. / Karasik, V
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David, B., & Olatunji, B. O. (2011). The effect of disgust conditioning and disgust sensitivity on appraisals of moral transgressions. Personality and Individual Differences, 50, 1142-1146. doi: 10.1016/j.paid.2011.02.004
Durkheim, E. (1995). The elementary forms of the religious life. New York, NY: The Free Press (Original work
Purpose of the research
The article presents a demonstration of the phenomenon of transgression of modern urban space through the formation of new spatial units which define the city in relation to its productive sphere. Due to the gradual departure from the notion of an enclosed city to one that is open and connected to the form of surrounding countryside, the problem emerged of defining a new term for a modern urban-rural space. One of the first manifestations of this phenomenon is the emergence of new forms of housing that combine urban features with
Spouses exhibit two kinds of behaviours: protective and transgressive. Protective acts are those aiming to overcome current problems, leading to preserving some balance. Transgressive acts are deliberately overstepping everyday marital reality and doing new things in new ways. They lead to changing the relation with the hope of improving it, but also create the risk of deterioration. The more transgressive behaviours spouses exhibit, the more chances they have to get to know each other and experience the joy of being part of a union. Transgressive tendencies stem from a network personality structure and consist of five psychons: cognitive, instrumental, motivational, emotional, and personal. The success of a marriage is the effect of a specific form of transgressive behaviours in marriage exhibited by both spouses, which is recognizing difficulties as they appear, finding their sources, and taking steps together to overcome them.
Crime fiction is currently evolving towards a literary genre which encompasses the intertwining of several textual practices, rhetorical modes, cultural identities, and topoi. Multiculturalism and the relation to alterity are gradually conquering the realm of detective fiction, thus rendering the crime enigma or suspense only secondary in comparison to other intellectual “enjeux” of the text. Transgressing the national horizon, contemporary detective fiction in Romanian literature can be thus considered as “world literature” (Nilsson–Damrosch–D’haen 2017) not only because it does not engage representations of Romanian spaces alone but also due to its translatability, its transnational range of cultural values and practices. This article aims to discuss several categories of examples for this fresh diversity that Romanian crime fiction has encountered. Novels written recently by authors such as Petru Berteanu, Caius Dobrescu, Mihaela Apetrei, Alex Leo Şerban, or Eugen Ovidiu Chirovici employ variations such as either alternative narrators or cosmopolitan characters, or contribute to anthologies, writing directly in English in order to gain access to a more complex audience. The paper sets out to analyse the literary or rhetorical devices at work in these transgressional phenomena as well as their effects on contemporary Romanian crime narratives and their possible correlations to transnational phenomena.1