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names, and partially only indicated by syllables of text of the original plainchant. This notation documents the transition from practise without notation to the written notation of music for keyboard instruments, and it significantly supplements the material found in treatises from the milieu of the ars organisandi, which are available to us from fifteenth-century manuscripts. Key words: Organ tablature, ars organisandi, medieval treatises on music, fragments, Kyrie magne deus, Salve, sancta parens, National Museum Library, tactus, organ paraphrases of