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Ownership Concentration in the TV Industry
A Case Study on the Limitations of Media Policy

business and competition in electronic communication] Stockholm: SNS Förlag. Holmkvist, L. (2005) Grattis Björn [Congratulations, Björn] Resumé, January 27, 2005. Hutchison, D. (1999) Media Policy. An Introduction. Oxford: Blackwell. Karlsson, A. (1990) Om strategi och legitimitet - en studie av legitimitetsproblematiken i förbindelse med strategisk förändring. [On strategy and legitimacy - a study on the legitimacy problem in connection with strategic change] Lund: Lund University. Lund, Anker Brink (2005

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How do Members of Parliament View the Public Value of Public Service Media? The Case of Latvia

-profit, Nonprofit, and Governmental Organization. Non-profit and Voluntary Sector Quarterly , 2000, vol. 29, no. 1, pp. 183–204. Raboy, Marc, Proulx, Serge, Dahlgren, Peter. The Dilemma of Social Demand. Shaping Media Policy in New Civic Contexts. The International Journal for Communication Studies , 2003, vol 65, no. 4-5, 323–329.

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European Union and Challenges of Cultural Policies: Critical Perspectives. An Introduction

References Barnett, C., 2001. Culture, policy and subsidiarity in the European Union: From symbolic identity to the governmentalisation of culture. Political Geography , 20(4): 405-426. doi:10.1016/S0962-6298(01)00002-6. Bilić, P. and Švob-Đokić, N., 2016. The pendulum model of Croatian media policy: Swinging between public interests and market competition. European Journal of Communication , 31(5): 503-518, doi: 10.1177/0267323116659976. Bruell, C., 2013. Creative Europe 2014–2020. A New Programme – A New Cultural Policy as Well

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Public Service Broadcasting as an Object for Cultural Policy in Norway and Sweden
A Policy Tool and an End in Itself

Abstract

The future of public service broadcasting (PSB), and its role for democracy and culture in an age of globalization and digitalization, is a disputed issue among communication scholars, journalists, the general public and politicians. The PSB institutions are dependent on political support for their survival, and they have to live up to cultural policy obligations. The focus of this analysis is on the rhetoric employed in the white papers on PSB and overall cultural policy, produced between 2005 and 2007 in Norway and Sweden. The analysis shows that both countries emphasize the need to secure an inclusive public sphere, a vivid democracy and a national culture. The rhetoric differs in the sense that the Norwegian focus is on PSB as a tool for achieving cultural policy goals, while the Swedish focus is more on why the idea of PSB is important in itself.

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The Undercurrents of Estonian Broadcasting Regulation, 1992–2014

Audiences. Los Angeles: Sage. Cuilenburg, Jan van; McQuail, Denis 2003. ‘Media Policy Paradigm Shifts: Towards a New Communications Policy Paradigm’. - European Journal of Communication 18, 2, 181-207. Cunningham, Stuart; Silver, Jon 2013. Screen Distribution and the New King Kongs of the Online World. London: Palgrave Pivot. Curran, James 1997. ‘Rethinking the Media as a Public Sphere’. - Peter Golding, Graham Murdock (eds.), The Political Economy of the Media. Vol. 2. Communication and the Common Good. Cheltenham: Edward

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Media Diversity and the Politics of Criteria
Diversity Assessment and Technocratisation of European Media Policy

-6. Jakubowicz, Karol (2003) ‘Bringing Public Broadcasting to Account’, in G.F. Lowe and T. Hujanen (eds) Broadcasting & Convergence. New Articulation of the Public Service Remit. Göteborg: Nordicom, pp. 147-66 Kaitatzi-Whitlock, Sophia (1996) ‘Pluralism and Media Concentration in Europe. Media Policy as Industrial Policy’, European Journal of Communication 11(4): 453-483. Keane, John (1992) ‘Democracy and the Media - Without Foundations’, Political Studies XL (Special Issue): 116-127. Kymlicka, Will & Norman, Wayne (eds) (2000

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Návrh modelu mediálnej komunikácie lesných podnikov

-243. Valley, K. I., Moag, J., Bazeman, M. H., 1998: „A matter of trust“: Effects of communication on the efficiency and dis­tribution of outcomes. Journal of Economic Behaviour and Organization, 34(1998): 211-238. Van Cuilenburg, J., McQuail, D., 2003: Media Policy Paradigm Shifts Towards a New Communications Policy Paradigm. European Journal of Communication, 18(2): 181-207.

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Collective Cultural Memory as a TV Guide: “Living” History and Nostalgia on the Digital Television Platform

Abstract

Modern audiences engage with representations of the past in a particular way via the medium of television, negotiating a shared understanding of the past. This is evidenced by the increasing popularity of reboots, newly developed history and documentary programming, re-use of archival footage and nostalgia content. This article takes a closer look at television’s abilities to circulate and contextualize the past in the current era of convergence through narrowcasting or niche programming on digital television platforms, specifically via nostalgia programming. Such platforms exemplify the multifaceted way of looking at and gaining access to television programming through a variety of connected platforms and screens in the current multi-platform era. Since the way in which television professionals (producers, schedulers, commissioners, researchers) act as moderators in this process needs to be further analysed, the article places an emphasis on how meaningful connections via previously broadcast history and nostalgia programming are also curated, principally through scheduling and production practices for niche programming – key elements in television’s creative process that have received less academic attention. Furthermore, the article discusses to what extent media policy in the Netherlands is attuned to the (re-)circulation of previously broadcast content and programming about past events, and reflects on television’s possibilities for “re-screening” references to the past in the contemporary media landscape. The analysis is based on a combination of textual analysis of audio-visual archival content and a production studies approach of interviews with key professionals, to gain insight into the creators’ strategies in relation to nostalgia programming and scheduling. Subsequently, the article demonstrates how national collective memory, as understood by television professionals in the Netherlands, informs the scheduling and circulation of “living history” on the digital thematic channel – collective cultural memory hence functioning as a TV guide.

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Employers as Nightmare Readers: An Analysis of Ethical and Legal Concerns Regarding Employer-Employee Practices on SNS

Media as an Employee Recruitment Tool.” 16 th Graduate Students Research Conference (2011). Track 2. Poster Session // http://scholarworks.umass.edu/gradconf_hospitality/2011/Poster/94/ . 8. Bond, Jennifer, and George Waggott. “Social Media Policies in the Workplace: Case Studies” (2017) // https://www.go2hr.ca/articles/social-media-policies-workplace-case-studies . 9. Bonner, William, and Mike Chiasson. “If fair information principles are the answer, what was the question? An actor-network theory investigation of the modern constitution of privacy

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