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References BLAKE, Casey Nelson. 1990. Beloved Community. The Cultural Criticism of Randolph Bourne, Van Wycks Brooks, Waldo Frank and Lewis Mumford . Chapel Hill and London: The University of North Carolina Press. FARRENKOPF, John. 2001. Prophet of Decline . Baton Rouge: Louisiana State University Press. FELKEN, Detlef. 1988. Oswald Spengler. Konservativer Denker zwischen Kaiserreich und Diktatur . Munich: Verlag C. H. Beck. HAJNAL, István. 1993. Az európai város kialakulása [The Emergence of the European City]. In: Glatz, Ferenc (ed.), Technika, művelődés

determining a common concept of culture, responsiveness and dialog – even unsuccessful dialog – are keys for bridging possible conflicts rooted in cultural differences. Keywords: Culture, cultural criticism, cultural difference, foreignness, the foreign. Die Selbstverständlichkeit mit der in den letzten Jahrzehnten kultu- relle Differenzen in Medien und allgemein in der Öffentlichkeit thematisiert werden – aus Anlass der europäischen Regionalisierungspolitik, zunehmend aber auch im Angesicht der vermehrten Arbeits- und Flüchtlingsmigrationen – lässt auf eine

Abstract

In order for the study of culture to be recognized as an autonomous subject, a profile of the discipline is necessary which clearly defines its purpose and its distinct, preferred goals, fields and topics. The suggestion is to establish the objectives based on three key issues: ‘What does it mean to act culturally?’, ‘What is cultural order?’ and ‘What determines cultural change?’ In the second half, I will present Hartmut Böhmes’ suggestion taking up preferred fields of cultural analytical work and supplement it with cultural sociology fields. The third part concerns a contemporary analytical profile of the study of culture, seen in society and cultural critique, especially in analysis of symbolic power.

Abstract

The traditional definition of Irishness has been overwritten by internationalization, cultural and political discourses. Globalisation today sets the ground for the redefinition of a “new Ireland” altering the ethnocultural base to the definitions of Irish national identity. Recent cultural criticism on modern Irish studies have described the Irish nation as undergoing moments of crisis and instability within a global context. This paper explores and analyzes the process by which literary dramatic works dealing with Irish national distinctiveness have been put subject to being written and re-written as the Irish nation passes through periods of instabilities and problematisations. Ireland has been affected by conflicting narratives and needed to move “towards a new configuration of identities” (Kearney, 1997, p. 15). Edward W. Said comments on this fracturing of identity as “human reality is constantly being made and unmade” (1979, p. 33). The attempt Irish playwrights have made to address factors affecting Irishness and the violent assertion of national identity addressed in this paper, are considered within a post-nationalist and post-colonial context of dramatic works.

.03.2014). Richard, Anne Birgitte. Liv og værk - den litteraturhistoriske biografi. I: Jensen, Bernard Eric & Anne Birgitte Richard. Livet fortalt. Roskilde: Roskilde Universitetsforlag. s. 9-97. White, Hayden. 1978. Historical Text as Literary Artifact. I: White, Hayden. Tropics of Discourse. Essays in Cultural Criticism. Baltimore and London: The John Hopkins University Press. s. 81-100.

Works cited Baglia, J. and Foster, E., 2005. “Performing the ‘Really’ Real: Cultural Criticism, Representation, and Commodification in The Laramie Project.” In: Journal of Dramatic Theory and Criticism , Spring, pp. 127–145. Beck, J. L., Belliveau, G., Lea, G. W. and Wager, A., 2011. “Delineating a Spectrum of Research-Based Theatre.” In: Qualitative Inquiry , vol. 17, no. 8, pp. 687–700. Bindel, J., 2014. “The truth behind America’s most famous gay-hate murder.” In: The Guardian , 26 October 2014. Available at: < https://www.theguardian.com/world/2014/oct/26

, Theory and Event 5:4 2002. Carroll, Noël (1990) The Philosophy of Horror or Paradoxes of the Heart. New York & London: Routledge. Chouliaraki, Lilie (2003) Moraliseringen af seeren. - Om live-optagelserne fra 11. September, Dansk Sociologi, no. 1/14. April 2003, theme: Diskursanalyse pp 7-26. Caruth, Cathy (1995) Trauma and Experience: Introduction, in Trauma, Explorations in Memory, Baltimore and London. The Johns Hopkins University Press. Doane, Mary Ann (1990) Information, Crisis, Catastrophe, in Patricia Mellencamp (ed.) Logics of Television: Essays in Cultural

W orks C ited Butler, Paul. Rev. of Whoever Slew Auntie Roo? , by Curtis Harrington. Allmovie.com . AllMovie. Web. 20 May 2019. Caruth, Cathy. “Trauma and Experience: Introduction.” Trauma: Explorations in Memory . Ed. Cathy Caruth. Baltimore: The Johns Hopkins UP, 1995. 3–12. Print. Craps, Stef. “Beyond Eurocentrism: Trauma Theory in the Global Age” The Future of Trauma Theory: Contemporary Literary and Cultural Criticism . Ed. Gert Buelens, Samuel Durrant and Robert Eaglestone. London: Routledge, 2014. 45–62. Print. Derry, Charles. Dark Dreams 2.0: A

Critique of Actually Existing Democracy.” In Habermas and the Public Sphere, edited by Craig Calhoun. Cambridge, Mass: The MIT Press, 1992. 109–142. Friedlander, Eli. Walter Benjamin: A Philosophical Portrait . Cambridge, Mass: Harvard University Press, 2012. Glahn, Philip. “Public Art: Avant-Garde Practice and the Possibilities of Critical Articulation.” Afterimage: The Journal of Media Arts and Cultural Criticism, 28 (2000), 10–12. Hertz, Betti-Sue, Ed Eisenberg and Lisa Maya Knauer. “Queer Spaces in New York City: Places of Struggle/Places of Strength.” In

. 1971. J. Rainis – dzimtenes mīletājs, in Raiņa un Aspazijas gadagrāmata 1972. Gadam. Västerås, RAF, pp. 27–31. Fukuyama, F. 1998. The End of History and the Last Man (3 rd ed). New York; NY, USA, Avon Books. Grīnuma, G. 1977. Rainis un trimda, in Raiņa un Aspazijas gada grāmata 1978. gadam. Västerås, RAF, pp. 4–28. Habermas, J. 1970. Toward a Rational Society: Student Protest, Science and Politics. Boston, Beacon Press. Habermas, J. 1989. The New Conservatism: Cultural Criticism and Historians’ Debate. Boston, the MIT Press. Kolakowski, L. 1997. Modernity