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---. “I Am Not a Historian.” Tudorscribe: Writing Fiction & Nonfiction
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The crown of the divine child was one of the headdresses that transferred from Egypt to the Meroitic Kingdom. It was integrated in the Egyptian decoration program in the early Ptolemaic time. The first king of Meroe to use this crown in the decoration of the Lion Temple in Musawwarat es-Sufra was Arnekhamani (235-218 BCE). It also appeared later in the sanctuaries of his successors Arkamani II (218-200 BCE) and Adikhalamani (ca. 200-190 BCE) in Dakka and Debod. The Egyptians presented it as the headdress of child gods or the king. In the Kingdom of Meroe the crown was more like a tool to depict the fully legitimised king before he faced the main deity of the sanctuary. To show this the Meroitic artists changed its iconography in such a way that the primarily Egyptian focus on the aspects of youth and rebirth withdrew into the background so that the elements of cosmic, royal and divine legitimacy became the centre of attention. Even if the usage and parts of the iconography were different, the overall meaning remained the same. It was a headdress that combined all elements of the cosmos as well as of royal and divine power.
This study explores the aims of the Nobel Banquet broadcast, produced by the Swedish public service company SVT and the Nobel Foundation. The study suggests that the programme can be viewed as a co-construction of science and media, and that the Nobel Foundation has three primary purposes: 1) to teach the audience about science; 2) to honour the laureates; and 3) to maintain and increase the status of the Nobel prize. SVT, for their part, has two main purposes: 1) to teach their audience about science, and 2) to entertain. The aims of the Nobel Foundation and SVT may seem disparate, but they are interrelated. At the same time, the subtleties between the entities create a tension that develops through mutual negotiations. The study ends with a discussion of two unexpected findings: 1) the shared, yet essentially differently-grounded aims of both parties to inform about science, and 2) the fact that their scientific content has increased in both absolute and relative terms over the years, a finding that questions notions of a continuous mediatisation of social institutions.
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Impact of tending on dvelopment of beech (Fagus sylvatica L.) pole timber stands was analysed using different variants of the free crown thinning, i.e. the original method developed in Slovakia at the end of 1950s. Four variants of this method were compared: (i) - the free crown thinning on the whole area, the method of promising trees, later the method of target trees at stand age of 58 years. (ii) - the free crown thinning on non-whole area, tending realised inside of growth space of target trees only, the method of target trees, salvage cutting on the whole area. (iii) - the free crown thinning on non-whole area, the method of promising trees (the method of target trees at stand age of 58 years) realised on circular plots with diameter 4 m and spacing 8 m (distance between centre of circular plots). (iv) - combined selective method, thinning from below and the free crown thinning by method of target trees was used by the first thinning, in next thinning only the free crown thinning on whole-area was used, method of target trees. The structure (diameter and height) of the stand, the quantitative production parameters had been observed for a period of 30 years. Small differences were found in diameter and height structure between the variant (iv) and other three ones. Comparison of quantitative production pointed out minimum differences in favour of the variant (iv) compared to the other ones. The same results were also obtained in the qualitative production, especially for selective quality (target trees).
Svitlana Sytnyk, Viktoriia Lovynska, Petro Lakyda and Katerina Maslikova
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