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, containing two strata of inscriptions. The first stratum consists of accounting records, one of which is dated to 1356. That is also the terminus post quem for the other stratum of inscriptions, namely the musical notation of two liturgical plainchants in two-voice organ paraphrases. This involves the introit Salve, sancta parens and the Kyrie magne Deus. The discant is written in black mensural notation on a staff, while the tenor, which quotes the plainchant melody, is partially written in musical notation on the same staff, partially notated by letters for note

York: Routledge. Lanyer, Emilia. Salve Deus Rex Iudaeorum. 2001 [1611] Renascence Editions. The University of Oregon [Online]. Available: http://www.luminarium.org/renascenceeditions/lanyer1.html [Accessed 2012, May 11]. Lasocki, David and Prior, Roger. 1995. The Bassanos: Venetian Musicians and Instrument Makers in England, 1531-1665. Cambridge: Scolar Press. Lerner, Gerda. 1993. The Creation of Feminist Consciousness, From the Middle Ages to 1870. Oxford, New York: Oxford University Press. Lewalski, Barbara K. 1991. “Re-Writing Patriarchy and Patronage: Margaret

Abstract

The sixteenth century author Nicholas Breton appropriates a female voice in many of his writings, among which Marie Magdalens Loue and The Pilgrimage to Paradise joyned with the Countesse of Penbrookes Loue feature prominently. The Countess of Pembroke, celebrated by Aemilia Lanyer in her Salve Deus Rex Judaeorum as a paragon of female religious devotion, is often associated in Breton's texts with Mary Magdalene. This paper will analyse some of the anxieties engendered by this appropriation of voice and of the Magdalene figure, anxieties that prove to be disruptive of Elizabethan gender hierarchies.

Abstract

Syntaxonomy of the class Festuco-Brometea in Ukraine has barely been still explored. There are some scattered and local data, mainly within the Forest-Steppe zone, which need to be compiled and critically reviewed. Similarly, the Azov Sea coastal zone, which, despite the considerable diversity of habitats, remains unstudied phytosociologically. We have carried out large-scale comparisons of relevés from the Sea of Azov coastline with data from other regions of Ukraine, Europe, and Russia. In total, 2336 relevés were used for the analysis. For the analysis, Modified TWINSPAN classification was used. Diagnostic species were determined by means of the phi fidelity index. In total, 9 associations and 4 subassociations, belonging to four alliances, were identified and categorised as follows: Artemisio-Kochion prostratae (ruderalized steppes), Artemisio tauricae- Festucion valesiacae (saline steppe vegetation on sites affected by the sea or saline ground water), Stipo lessingianae-Salvion nutantis (forb-bunchgrass steppe vegetation) and Tanaceto millefolii-Galatellion villosae (bunchgrass steppes). The last alliance is proposed as a new one.

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Band . Prag: Selbstverlage – Joseph Schalek – Gottlieb Haase Söhne, 1844. PAŘÍZKOVÁ 2014 : PAŘÍZKOVÁ, Kateřina. Mariánská procesí v průběhu 19. století. Pražský písničkář František Hais o svých poutích na Svatou Horu, do Staré Boleslavi a konečně do Hájku v letech 1832–1888. In: Salve regina. Mariánská úcta ve středních Čechách . Praha: Etnologický ústav AV ČR – Státní oblastní archiv v Praze, 2014, s. 285–298. PINDUR 2006 : Pindur, David. Poutní tradice na Frýdecku v pozdním baroku. Těšínsko 49, 2006, č. 3, s. 1–8. POLÁČEK 2010 : POLÁČEK, Jan (ed.). Lidové písně

: University of Illinois Press, 1978. Print. Lanyer, Aemilia. The Poems of Aemilia Lanyer: Salve Deus Rex Judaeorum. Ed. Susanne Woods. Oxford: OUP, 1993. Print. Larson, Katherine, R., Miller, Naomi J., Strycharski, Andrew (Eds.). Re- Reading Mary Wroth. New York: Palgrave Macmillan, 2015. Print. Lewalski, Barbara K. “Authorship and Author-Characters.” Re-Reading Mary Wroth. New York: Palgrave Macmillan, 2015: 35-51. Print. Miller, Naomi J. “Lady Mary Wroth and Women’s Love Poetry.” Early Modern English Poetry: A Critical Companion. Oxford: OUP, 2007: 195-205. Print

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