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Humanity has long been haunted by the notions of Armageddon and the coming of a Golden Age. While the English Romantic poets like Shelley saw hopes of a new millennium in poems like “Queen Mab” and “The Revolt of Islam”, others like Blake developed their own unique “cosmology” in their longer poems that were nevertheless coloured with their vision of redemption and damnation. Even Hollywood movies, like The Book of Eli (2010), rehearse this theme of salvation in the face of imminent annihilation time and again. Keeping with such trends, this paper would like to trace this line of apocalyptic vision and subsequent hopes of renewal with reference to William Golding’s debut novel Lord of the Flies (1954) and his Pincher Martin (1956). While in the former, a group of young school boys indulge in violence, firstly for survival, and then for its own sake, in the latter, a lonely, shipwrecked survivor of a torpedoed destroyer clings to his own hard, rock-like ego that subsequently is a hurdle for his salvation and redemption, as he is motivated by a lust for life that makes him exist in a different moral and physical dimension. In Lord of the Flies, the entire action takes place with nuclear warfare presumably as its backdrop, while Pincher Martin has long been interpreted as an allegory of the Cold War and the resultant fear of annihilation from nuclear fallout (this applies to Golding’s debut novel as well). Thus, this paper would argue how Golding weaves his own vision of social, spiritual, and metaphysical dissolution, and hopes for redemption, if any, through these two novels.

Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age. New York: Vintage Books. Schenkeveld-van der Dussen, M.A. 2002. “Otium en Otia.” In de boeken, met de geest. Vijftien studies van M.A. Schenkeveld-van der Dussen over vroegmoderne Nederlandse literatuur. Eds A.J. Gelderblom, E.M.P. van Gemert, M.E. Meijer Drees, and E. Stronks. Amsterdam: Amsterdam University Press. 124-135. Schmal, H. 1988. “Patterns of Urbanization and De-urbanization in the Netherlands between 1650 and 1850.” The Rise and Decline of Urban Industries in Italy and the Low


In the interview with Dean Keith Simonton, one of most prolific creativity researchers, we discuss his career, main areas of research interest, chosen research methods and share his thoughts about the future of research on creativity and effectiveness in scientific work.

Introduction The rise of complex drama coincided with a “golden age” of Scandinavian television. The opportunities of serial narration or “complex television” ( Mittell, 2010 ; Dunleavy, 2018 ) – including character-centred plots, multiperspectivity, and long-lasting storylines – have been picked up by Scandinavian public service broadcasters and independent companies to produce a remarkable set of television dramas. While there has been a growing interest in Scandinavian Nordic Noir aesthetics and narratives ( Jensen & Waade, 2013 ; Creeber, 2015 ), its


Legendary producer-director Cecil B. DeMille was a progenitor of Paramount Pictures, a seminal cofounder of Hollywood, and the master of the American biblical epic; but whose pioneering achievements and filmic practices still remain grossly unappreciated today. One of his aesthetic trade secrets was the “deep focus construction” of his on-screen characters, that is, the engineering of pertinent correspondences between his characterizations and the actors’ idiosyncratic traits and/or previous roles to deepen the naturalistic resonance of authenticity. A brief review of the critical literature and an examination of selected DeMille films, particularly The Ten Commandments (1923 & 1956), was performed to illustrate this casting principle; utilizing humanist film criticism as the guiding analytical lens. It was concluded that DeMille was a far defter biblical filmmaker than hitherto appreciated. Further research into DeMille Studies is highly warranted, warmly recommended and already long overdue


Martín de Azpilcueta and his fellow Spanish Scholastics writing and teaching at the University of Salamanca during Spain’s Golden Age are rightly pointed to by historians of economic thought as being major contributors toward, if not outright founders of modern economic theory. Among these is the theory of time-preference for which Azpilcueta has repeatedly been given the credit for discovering. However, this discovery is a curious one given how the same man, Azpilcueta, condemned usury in general during his whole life. If Azpilcueta did in fact discover this theory and fully understand its implications, we would reasonably expect him to have questioned his support for the ban on charging an interest on a loan. This paper, therefore, challenges the claim that Azpilcueta understood and revived time-preference theory and shows how his understanding was much more nuanced, and, at times, inconsistent.


Three essential periods may be singled out in the development of cartography as a science:

1. From the beginning of the last century to the mid-sixties is the period of development of cartography as a distinct science.

2. The period dating from the mid-sixties till the eighties is the golden age of development of theoretical cartography with special amplification of discussions on the subject of the theoretical fundamentals of cartography. At the end of the former period and at the beginning of the latter, cartography finally distinguished itself as an independent science. In 1959, the International Cartographic Association was founded. In 1961, the International Yearbook of Cartography was published for the first time and beginning in 1969, Polski Przegląd Kartograficzny (the Polish Cartographic Review). A year earlier, Komisja Kartograficzna Polskiego Towarzystwa Geograficznego (the Cartographic Commission of the Polish Geographical Society) was established.

3. Since the mid-eighties, and even somewhat earlier, use of new IT technologies, especially interest in the map as an element of geographic information systems, has become the dominating trend in cartography.


My essay proposes a reading of J.G. Ballard’s 1988 novella Running Wild as a cautionary crime story, a parable about the self-fulfilling prophecies of contemporary urban fears and about the “prisons” they create in a consumerist, technology- and media-dominated civilization. Interpreted in the light of Foucault’s concept of panopticism, Ballard’s gated community as a crime setting reveals how a disciplinary pedagogy meant to obtain “docile bodies,” masked under the socially elitist comfort of affluence and parental care, “brands” the inmate-children as potential delinquents and ultimately drives them to an act of “mass tyrannicide.” Ballard uses the murder story as a vehicle for the exploration of the paradoxical effects of a regime of total surveillance and of mediated presence, which, while expected to make “murder mystery” impossible, allows for the precession of the representation to the real (crime). The essay also highlights the way in which Ballard both cites and subverts some of the conventions of the Golden Age detective fiction, mainly by his rejection of the latter’s escapist ethos and by the liminal character of his investigator, at once part of a normalizing panoptic apparatus and eccentric to it, a “poetic figure” (Chesterton) relying on imagination and “aestheticizing” the routines of the detection process.


The aim of the article is to understand to what extent modern mass housing estates, built in the decades following the Second World War with new construction methods and under the influence of innovative planning ideas and egalitarian philosophy, are currently facing a process of decline. In particular, the research is committed to understand how such innovative urban structures rapidly evolved into stigmatized places of residence and sources of dissonant heritage. The work focuses on the case of San Polo, a neighbourhood of Brescia, in Italy, designed by architect, planner and historian Leonardo Benevolo, who had the opportunity in the northern Italian city to experiment and implement his architectural views in the sphere of “public urbanization”. It is possible to claim that Benevolo’s theoretical approach and architectural practice excellently represented the golden age of modern housing in postwar Europe, when the connection between progressive political views and egalitarian urban planning was apparently perfect. Nevertheless, after the political and economic transition that characterized western Europe since the 1980s, mass housing quickly became a residual issue in the public discourse and entered in a spiral of decline. San Polo was no exception: problems – especially in its iconic tower blocks – soon emerged, and overall optimistic expectations were frustrated by the reality of physical, social and economic decline. This study is therefore committed to understand to what extent San Polo is a case of dissonant heritage in the urban context. While it is clear that the heritage of San Polo is the heritage of a precise historical phase and represents particular ideas in architecture and planning, on the other hand it must be stressed that the ideological transition of recent decades made its values and its messages obsolete and that socio-economic segregation negatively affected the reputation of the neighbourhood and its inhabitants had to face a process of stigmatization that found echo in official and journalistic discourse.

Reviews 143 DOI: 10.1515/abcsj-2017-0011 Detective Types and Criminal Minds Barry Forshaw, ed., Crime Uncovered: Detective (Bristol: Intellect, 2016. 220 pp. ISBN 978-1-78320-521-9) Fiona Peters and Rebecca Stewart, eds., Crime Uncovered: Antihero (Bristol: Intellect, 2016. 218 pp. ISBN 978-1-78320-519- 6) Samantha Walton, Guilty But Insane: Mind and Law in Golden Age Detective Fiction (Oxford: Oxford U P, 2015. 304 pp. ISBN 978-0- 19-872332-5) The detective and the criminal are the most readily identifiable character types in detective