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The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany

, Mats 2003. ‘Beyond Neopositivists, Romantics, and Localists: A Reflexive Approach to Interviews in Organizational Research’. - Academy of Management Review 28, 1, 13-33. Backhaus, Klaus; Erichson, Bernd; Weiber, Rolf 2015. Fortgeschrittene multivariate Analysemethoden. Eine anwendungsorientierte Einführung. Heidelberg: Springer Gabler. Balmer, John M. T. 2008. ‘Identity Based Views of the Corporation: Insights from Corporate Identity, Organisational Identity, Social Identity, Visual Identity, Corporate Brand Identity and Corporate

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Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances

-561. Bollo, Alessandro; Pozzolo, Luca Dal; Federico, Elina Di; Gordon, Christopher 2012. Measuring Cultural Participation: 2009 UNESCO Framework for Cultural Statistics Handbook No. 2. Montreal: UNESCO Institute for Statistics. (1 December 2017). Bourdieu, Pierre 1982. Die feinen Unterschiede. Kritik der gesellschaftlichen Urteilskraft. Trans. Bernd Schwibs, Achim Russer. Frankfurt am Main: Suhrkamp

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The Undercurrents of Estonian Broadcasting Regulation, 1992–2014

Regulation of Media Markets. Manchester, New York: Manchester University Press. Ibrus, Indrek 2015a. ‘Mida arvata ühtsusest kultuuriturul’. - Sirp, 5 June. Ibrus, Indrek 2015b. ‘The Replacement of Media Policies with (Media) Entrepreneurship Policies: A View from Europe’s Periphery’. - International Journal of Digital Television 6, 3, 311-318. Ibrus, Indrek; Merivee, Astra 2014. ‘Strategic Management of Crossmedia Production at Estonian Public

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