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Ivan Lacko

American Review, vol. 41, no. 4, pp. 625-640. Whitman, W. 1995. “Notes Left Over.” In: Specimen Days & Collect. Mineola, NY: Dover, pp. 313-338.

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Randall K. Van Schepen

. “Warburg’s Paragon?: The End of Collage and Photomontage in Postwar Europe,” in Ingrid Schaffner, Nikolaus G. Schneider, Claudia Seelmann, Matthias Winzen, Christopher Wynne, (eds.), Deep Storage: Collecting, Storing, and Archiving in Art (trans. Pauline Cumbers, New York: Prestel-Verlag. Germer, S. 1992. “Retrospective Ahead” in Seam Rainbird and Judith Severne (eds.): Gerhard Richter , London, The Tate Gallery. Gibbons, J. 2007. Contemporary Art and Memory , London: I.B. Tauris & Co. Ltd. Heyme, H. “Trauerarbeit der - Kunst muss sich klarer geben