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Paula Anca Farca

References Castellitto, George. “Imagism and Martin Scorsese: Images Suspended and Extended.” Literature Film Quarterly 26 (1998): 23-30. Print. Hadley, Kathy Miller. “Ironic Structure and Untold Stories in The Age of Innocence.” Studies in the Novel 2 (1991): 262-72. Print. Lacan, Jacques. The Psychoses 1955-1956: The Seminar of Jacques Lacan Book III. Ed. Jacques-Alain Miller. Trans. Russell Grigg. New York: Norton, 1993. Print. - - -. Écrits: A Selection. Trans. Bruce Fink. New York: Norton

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Estella Antoaneta Ciobanu

References Ahmed, Sara. “A Phenomenology of Whiteness.” Feminist Theory 8.2 (2007): 149-68. Allen, Judith. Virginia Woolf and the Politics of Language. Edinburgh: Edinburgh UP, 2010. Berger, Harry, Jr. Caterpillage: Reflections on Seventeenth-Century Dutch Still Life Painting. New York: Fordham UP, 2011. Bordo, Susan. “Feminist Skepticism and the ‘Maleness’ of Philosophy.” Journal of Philosophy 85.11 (1988): 619-29. Bradshaw, David. “The Socio-Political Vision of the Novels

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Randall K. Van Schepen

Day is Long,” Art in America , 1 January 2002, vol. 90, no. 1: 66-75, , retrieved on 10 July 2017. Storr, R. 2003. Gerhard Richter, Doubt and Belief in Painting , New York: Museum of Modern Art. Thorn-Prikker, J. 2004. “A Picture is Worth 216 Newspaper Articles,” New York Times , Art and Leisure section, July 4, 2004; accessed via NYT online database. Thorn-Prikker, J. 2004(a). “War Cut – A dark mirror: An artist’s book by Gerhard Richter”, Kulturjournal