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Amin Karimnia and Fatemeh Mohammad Jafari

References Ashki, M., & Hosseini, M. (1997). English for the students of visual arts (painting, graphics, sculpture). Tehran: SAMT publication. Azarnoosh, M., & Ganji, M. (2014). ESP book evaluation: The case of management course book. International Journal of Secondary Education, 2(4), 61-65. Basturkmen, H. (2010). Developing courses in English for specific purposes. London, UK: Palgrave. Chamberlin, D., & Baumgardner, R. J. (1988). ESP in the classroom: Practice and evaluation. London: Modern

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Andrzej Rozwadowski

Archaeological Bulletin 61: 105-114. Lewis-Williams, James David, and Sam Challis. 2011. Deciphering Ancient Minds: The Mystery of San Bushmen Rock Art. London: Thames and Hudson. Lewis-Williams, James David, and Thomas A. Dowson. 1988. “The Signs of All Times. Entoptic Phenomena in Upper Paleolithic Art.” Current Anthropology 29(2): 201-245. _____. 1989. Images of Power. Understanding Bushman Rock Art. Johannesburg: Southern Book Publishers. _____. 1990. “Through the Veil: San Rock Paintings and the Rock Face

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Piotr Borusowski

: Edme Martin. Gassendi, Pierre. [1641]. Viri illustris N.C. Fabricii de Peiresc… vita. The Hague: n.p. 298. Hordal, Jean. 1612. Heroinae nobilissimae Ioannae Darc... historia. Port-a-Musson: Apud Melchiorem Bernardum. Jaffé, David. 1997. “Reproducing and Reading Gems in Rubens’s Circle.” Engraved Gems: Survivals and Revivals. Studies in the History of Art 54. Ed. C.M. Brown. Washington, D.C.: National Gallery of Art. 181-193. Judson, J. Richard, and Carl van de Velde. 1977. Book Illustrations and Title

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Aneta Pawłowska

Dictionary and Historical Survey of Painters, Sculptors & Graphic Artists Since 1875. Cape Town: A.A. Balkema. _____. 1993. Painting in South Africa. Halfway House: Southern Book Publishers. _____. 2010. Alexis Preller: Africa, the sun and shadows. Johannesburg: Pan Macmillan. Botha, Kevan, and Edwin Cameron. 1997. “South Africa.” Sociolegal Control of Homosexuality: A Multi-Nation Comparison. Eds. Donald J. West, and Richard Green. New York: Plenum Press. 23-26. Cock, Jacklyn, and Alison Bernstein. 2002

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Olena Marina

наукового ступеня доктора філологічних наук: 10.02.04 – германські мови. Харків: Харківський національний університет імені В.Н. Каразіна. Brandt, P.A. (2004). Space, domains, and meaning: Essays in cognitive semiotics . Bern: Peter Lang. Büsse, B. (2013). Introduction. In Mobile stylistics: Book of abstracts of the 32 nd PALA conference, Heidelberg, Germany, July 31-August 4, p. 1. Byelyekhova, L.I. (2015). Archetype, archetypal sense, archetypal image in linguistic and cognitive elucidation. In Academic bulletin of Ivan Franko Drohobych State

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Ruslana Savchuk

://docplayer.ru/40534093-K-voprosu-o-vzaimodeystvii-hudozhestvennogo-mira-i-vozmozhnyh-mirov.html Pijanovi, P. (1992). Prose of Daniel Kish . Pristina: Jedinstvo; Gornji Milanovac: Derje Novine; Podgorica: Oktouch / Пиjаnoвиħ П. Проза Данила Киша . Приштина: Jединство; Горньи Милановац: Derje новине; Подгорица: Октоux. Propp, V.Ya. (2001). Structural and historical study of the fairytale (the answer to C. Lévi-Strauss). In Semiotics: Anthology . 2 nd ed. Moscow: Academic Project; Ekaterinburg: Business book, р. 453-471. / Propp V.Yu. Strukturnoye i istoricheskoye

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Mária Kiššová

References Agel, J. (ed.). 1970. The Making of Kubrick’s 2001. New York: Signet. Arber, S. 2013. Nabokov’s Personal Demons in the Real Life of Sebastian Knight and Pale Fire. Northampton: Big Tree Books. Almer, P. 2011. ABSENCE. In Grunenberg, Christoph (ed.). Rene Magritte A to Z. London: Tate Publishing, p. 6. Auden, W. H. 1982. A Certain World: A Commonplace Book. London: Faber and Faber. Bennett, A. 2008. The Uncommon Reader. London: Faber and Faber

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Randall K. Van Schepen

Day is Long,” Art in America , 1 January 2002, vol. 90, no. 1: 66-75, http://www.artinamericamagazine.com/news-features/magazine/gerhard-richter-robert-storr/ , retrieved on 10 July 2017. Storr, R. 2003. Gerhard Richter, Doubt and Belief in Painting , New York: Museum of Modern Art. Thorn-Prikker, J. 2004. “A Picture is Worth 216 Newspaper Articles,” New York Times , Art and Leisure section, July 4, 2004; accessed via NYT online database. Thorn-Prikker, J. 2004(a). “War Cut – A dark mirror: An artist’s book by Gerhard Richter”, Kulturjournal