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Randall K. Van Schepen

Day is Long,” Art in America , 1 January 2002, vol. 90, no. 1: 66-75, http://www.artinamericamagazine.com/news-features/magazine/gerhard-richter-robert-storr/ , retrieved on 10 July 2017. Storr, R. 2003. Gerhard Richter, Doubt and Belief in Painting , New York: Museum of Modern Art. Thorn-Prikker, J. 2004. “A Picture is Worth 216 Newspaper Articles,” New York Times , Art and Leisure section, July 4, 2004; accessed via NYT online database. Thorn-Prikker, J. 2004(a). “War Cut – A dark mirror: An artist’s book by Gerhard Richter”, Kulturjournal

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Elisabeth Kovtiak

. I have applied these approaches to analyze nostalgia’s manifestations at Dry Bridge flea market. The Dry Bridge flea market is a secondhand street trading place that can be also called a site of attraction for tourists and flaneurs. Apart from items from the Soviet past, such as banners, portraits, badges, porcelain figurines, cutlery and crockery, and vintage devices, one can also find modern souvenirs and paintings and new and used bijouterie in this market. This paper focuses on the part of the market where objects of Soviet life are on sale. I have analyzed