– according to the value of feature x 4 , i.e. expenditure on culture. It also scored relatively high in the category relating to the number of cultural institutions (3rd place in the country). The next place was taken by the Zachodniopomorskie Voivodship, mainly due to the income obtained from the cultural sector per capita . The third place was taken by the Dolnośląskie Voivodship, which achieved relatively good results according to all analysed characteristics.
The second class was created by five voivodships: Podkarpackie, Podlaskie, Śląskie, Mazowieckie and Kujawsko
Michal Klobučník CDFMR, Martin Plešivčák CDFMR and Milan Vrábeľ CDFMR
Rc ls = club rank in league l in season s
Cc s = country coefficient in season s (according to UEFA)
In the first place, we had to take into account the fact that the number of clubs is different in individual leagues, and the number of clubs sometimes changed during the seasons. Winning in a league of 12 teams (for example, the Scottish League in 2016/2017) is not as difficult as in a league of 20 teams (e.g. the English Premier League in 2016/2017). Each club in a particular league gained a score according to the position in that season. To take
Agata Frankowska CDFMR, Izabella Łęcka CDFMR and Jan Frankowski CDFMR
Most of the NGO leaders were not present on social media. The most active individuals were: Wojciech Wilk of the Polish Center for International Aid and Janina Ochojska of Polish Humanitarian Action. The former gained the highest score in terms of LinkedIn presence, and the latter on Twitter. These two leaders have years of field experience in the area of development and humanitarian assistance, as well as established contacts with international organisations. The leaders of religious organisations tended to ignore Twitter and Linked-In.
.g. near Kościelna Street) were also assessed to be negative (over 60% negative or neutral characteristics). It is important to note that the average values of the quality indicator (between 20% and 60% negative and neutral characteristics) are typical of the majority of the public spaces analysed. These mainly include city-centre marketplaces (including, in particular, the Old Square), some parks (e.g. Maciejewski Park) and squares (e.g. Kazimierz Nowakowski Square or Wolności Square). Spaces with average scores are distributed across various parts of the analysed area
structured into three sectors, namely: the Supreme People’s Procuratorate (SPP) responsible for handling and preventing cases of embezzlement and bribery, the Central Commission for Disciplinary Inspection (CCDI) to check corruption among political elites, and the Ministry of Supervision (MOS) to restrain corruption and maladministration within the civil service ( Keyuan, 2003 ; UNDP, 1999; Glynn et al ., 1997).
Corruption Perception Index (CPI), Corruption Control and Government Efficiency in Percentile Rank and Governance Score
Mazozo M. Mahlangu DFMR and Jennifer M. Fitchett CDMR
Fouriesburg, Free State
30 September 2017
Overcast with thunder: threat of rain, followed by “quick shower” and sunshine
Johannesburg Garden Venue
Mountain View, Gauteng
12 December 2017
Warm ”sunny” summer temperatures (29°C): “a perfect summers day”
PE Inland Island
Plettenberg Western Cape Bay,
27 February 2010
When asked about the importance of hosting their wedding in a natural setting, each respondent scored higher than seven on a score out of ten as portrayed in Figure 2 . In this regards, a natural setting
Agnieszka Szczepańska CDFMR and Katarzyna Pietrzyk CDFPMR
expressed by the mean of the scores given by the entire surveyed population, as well as by different age and sex groups to accentuate the differences in the opinions of male, female, older and younger respondents. None of the evaluated public spaces received an average of 5 points. Public spaces 3, 5, 8, 9, 14, 17 and 19 were most highly evaluated, which is consistent with the results of the multidimensional analysis of spatial order in public spaces 3, 5, 9, 17 and 19, but not in public spaces 8 and 14. The respondents gave the lowest marks to public spaces 2, 4, 7, 10
: Faber and Faber, 2002.
Stravinsky, Igor, & Robert Craft. Stravinsky, selected correspondence, 3 vols. London: Faber and Faber, 2008.
Stravinsky, Igor. Le Sacre du Printemps: Facsimile of the autograph full score. Basel: Paul Sacher Foundation; London: Boosey & Hawkes, 2013.
Stravinsky, Igor., & Viktor P. Varunts. Perepiska s russkimi korrespondentami: Materialy k biografii [Talks with Russian reporters: Materials for the biography]. Moscow: Kompozitor, 1998.
Taruskin, Richard. Defining Russia Musically
A musical inspiration, Don Pasqule by Gaetano Donizetti offers a wealth of examples of how to capitalize on the vocal and musical potential offered by the opera show. We aim to analyze vocal scores - areas, duets, recitatives and vocal ensembles and to emphasize their musical achievement.
By consulting monographies, musicological studies, specialty articles about the personality of romantic musician Hector Berlioz and implicitly linked to the relevance of his significant opera, one discovers researchers’ constant preoccupation for historical, stylistic, analytical, hermeneutical comments upon aspects related to established scores (the Fantastic, Harold in Italy symphonies, dramatic legend The Damnation of Faust, dramatic symphony Romeo and Juliet, the Requiem, etc.). Out of his compositions, it is remarkable that the cycle Les nuits d´été was rarely approached from a musicological point of view, despite the fact that it is an important opus, which inaugurates the genre of the orchestral lied at the end of the 19th century and the beginning of last century. In this study, we set out to compose as complete as possible an image of this work, both from an analytic-stylistic point of view by stressing the text-sound correspondences and, above all, from the perspective of its reception at a didactic level, by promoting the score in the framework of listening sessions commented upon as part of the discipline of the history of music. In what follows, I shall argue that the cycle of orchestral lieder Les nuits d´été by Hector Berlioz represents a work of equal importance to established opera.