Search Results

1 - 4 of 4 items :

  • Quality of life x
Clear All
Milan Svoboda – The Man in Background

Abstract

The study represents the life and artistic career of today’s almost forgotten theatre director Milan Svoboda (1883 – 1948). It is based on the extensive Svoboda estate, located in the Theatre Department of the National Museum. It follows the artist from his amateur beginnings in Roudnice nad Labem, through his career as a pedagogue at the Prague Conservatory, theatre director at the Slovak National Theatre, guest director at the National Theatre in Prague, to his post-war effort to create high-quality stage art in the border villages abandoned by the Germans. Thanks to the substantial and rich material found in his estate, the study demonstrates the conflict of creative ideals and the desire to seek an aesthetic beauty in a world within a regimented state, grand political scheming, critics and “progressive” theatrical colleagues.

Open access
Dialogue of Arts in the Contemporary Theatre. The Rhetoric of Expression in Plastic Arts and in Performing Arts

Abstract

In the plastic art and not only, colors have significant functions with regard to the perception or even to the symbolism of temperament. In many cultures on various geographical coordinates, the reception and the interpretation of colors is taken into consideration only when they are dynamically distinguished. Various types of expression that make us access various levels of perception, of rhetoric, of candidness, of sensation etc. Looking retrospectively on this empathic theory, generations of estheticians struggled with a large amount of pseudo-problems. This plea over expression (be it facial or gestural) in the context of plastic art or of theatrical art has a particular significance and, of course, it steadies both the receptor and the artist. We see nevertheless that, in the day-to-day life, the expression has a primary, unequivocal sense, and above all one takes into consideration the way in which a plastic artist and an actor treat and interpret reality. Let us not forget that the main attributes of communication are the expressive features. The expressive quality presents a real platform that rises the interest of a plastic artist or actor, because it allows him to grasp and to understand his own experience, which does nothing but contribute to the formal configurative that he will draw up.

Open access
Benefits and Barriers of a Social Marketing Campaign Based on the Example of the Child Helpline

: Strategies for Changing Public Behavior . New York: The Free Press. Kotler, Philip; Roberto, Ned; Lee, Nancy 2002. Social Marketing: Improving the Quality of Life . California, Thousand Oaks: Sage. Lefebvre, Craig R. 2001. ‘Theories and Models in Social Marketing’. – Paul N. Bloom, Gregory T. Gundlach (eds.), Handbook of Marketing and Society . Thousand Oaks, London, New Delhi: Sage, 506–519. Luhmann, Niklas 1979. Trust and Power . Trans. Howard Davis, John Raffan, Kathryn Rooney. Chichester, New York, Brisbane, Toronto: John Wiley & Sons

Open access
Strategic Management of Crossmedia Production at Estonian Public Broadcasting

’. - Indrek Ibrus, Carlos A. Scolari (eds.), Crossmedia Innovations: Texts, Markets, Institutions. Frankfurt: Peter Lang, 259-276. Huang, Edgar; Rademakers, Lisa; Moshood, A. Fayemiwo; Dunlop, Lillian 2004. ‘Converged Journalism and Quality: A Case Study of the Tampa Tribune News Stories’. - Convergence: The International Journal of Research into New Media Technologies, 10, 4, 73-91. Huntsberger, Michael 2008. ‘Create Once, Play Everywhere: Convergence Strategies for Public Radio in the U.S.’ Paper presented at the RIPE 2008, Mainz, Germany

Open access