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The Music Repertoire of the Society of Jesus in the Polish-Lithuanian Commonwealth (1565–1773)

of the City of Vilnius… Holds Annual Performances for the Advent Mass of Rorate Coeli ]. Warszawa: Pax. Berglund, L. (2004). The Concerto Principle in Kaspar Förster’s Psalm Compositions: Confitebor tibi Domine in C. In: Musica Baltica. Im Umkreis des Wandels – von den cori spezzati zum konzertierenden Stil (p. 352–368). Gdańsk: Akademia Muzyczna. Betlej, A. (2011). Jesuit Architecture in Polish-Lithuanian Commonwealth in 1564–1772. In: M.I. Álvaro (Ed.), La Arquitectura Jesuítica (pp. 277–303). Saragossa: Actas. Byczkowska-Sztaba, J. (2004

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Reception of the Warsaw Autumn Festival in Lithuania: Cultural Discourse and Political Context

SOURCES Krzysztof Droba archiwum (KD) – Krzysztof Droba private archive, Mielec, Poland Vytauto Landsbergio archyvas (VL) – Vytautas Landsbergis private archive, Vilnius, Lithuania Rossiyskiy Gosudarstvennϊy Arkhiv Literaturϊ i Iskusstva (RGALI) – Russian State Archive of Literature and Art, Moscow, Russian Federation Gossudarstvennoye koncertnoye obyedineniye SSSR (Goskoncert SSSR) – the USSR State Concert Union Soyuz Kompozitorov SSSR – the USSR Composers’ Union Biuro festiwalu „Warszawska Jesień” (WJ) – Warsaw Autumn

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Research on 18th Century Music in Poland. An Introduction

Grand Duchy of Lithuania in the 15 th –19 th Centuries ] (pp. 67–82). Warsaw: Instytut Historii PAN / Instytut Historyczny UW / Instytut Historii Prawa UW / Neriton. Paczkowski, Sz. (2011). Styl polski w muzyce Johanna Sebastiana Bacha . Lublin: Polihymnia (English version: idem, (2016). Polish Style in the Music of Johann Sebastian Bach , P. Szymczak (Transl.). Lanham-New York-London: Rowman & Littlefield). Paczkowski, Sz. (in print). Christoph August von Wackerbarth (1662–1734) and his Cammer-Musique. In J. Guzy-Pasiak, A. Markuszewska (Eds.), Music

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Belarusian Traditional Culture in the Legacy of Oskar Kolberg

Abstract

The article examines the subject of Belarusian musical and ethnographic materials collected by Oskar Kolberg. The materials on Belarusian folk culture, which were collected by the researcher throughout his whole life, were published almost 80 years after his death in Volume 52 Belarus–Polesie, while some of them are also to be found in Volume 53 Lithuania. Thus, the geography of these materials extends far beyond the borders of contemporary Belarus. However, individual regions of the country are not equally represented. Using the works of his predecessors, Kolberg compiled information about the culture and ethnography of Belarus and supplemented it with his own research. The author of this article divides the materials used to compile Volume 52 into two unequal groups: publications of other authors and the personal field notes of Kolberg (together with the materials sent to him by correspondents). The latter group, which constitutes more than a quarter of all the materials and is essential for assessing the Belarusian achievements of the Polish ethnographer, has been analysed in the article. The abundance of Kolberg’s own transcriptions of music in the volume makes his work into one of the key sources in 19th-century Belarusian musical historiography The author also puts forward a hypothesis concerning the Belarusian beginnings of Kolberg’s entire collecting activity.

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A Map as A Work of Art and Iconographic Source

Mapa jako dzieło sztuki i źródło ikonograficzne

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