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Traumatized selves in Janice Galloway’s The Trick Is to Keep Breathing and A. L. Kennedy’s Night Geometry and the Garscadden Trains

Works cited Galloway, J. [1989] 1999. The Trick Is to Keep Breathing . London: Vintage. Galloway, J. 1991. “Introduction”. In: Galloway, J. and M. Sinclair (eds.). Meantime . Edinburgh: Polygon. pp. 5–6. Germanà, M. 2011. “The Sick Body and the Fractured Self”. In Gothic Studies , vol. 13, no. 2, pp. 1–8. Germanà, M. 2013. Scottish Women’s Gothic and Fantastic Writing . Edinburgh: Edinburgh University Press. Gifford, D. 1997. “Contemporary Fiction 2”. In: Gifford, D. and D. McMillan (eds.). A History of Scottish Women’s Writing

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Culture in advertising and advertising in culture: Communication, translation, representation

Cultural Dhursity in Business. London: Nicholas Brealey Publishing Limited. Vopálenská. E. 2011. Jazyk a styl reklatny 2. Bratislava: Univerzita Komenského. Žilková. M. 2006. “Vplyv globalizácie na mediálnu kultúru." In: ¿ilková, M (ed.). Vplyv globalizácie na mediábni kulńtru. Nitra: Ústav literámej a umeleckej komunikacie UKF. pp. 13-23.

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Humanisation of the Subject in David Foster Wallace’s Fiction: From Postmodernism, Avant Pop to New Sensicerity? (Tri-Stan: I Sold Sissee Nar to Ecko, 1999)

References Amerika, M. 2014. “Avant-Pop Manifesto. Thread Baring Itself in Ten Quick Posts.” <http://www.altx.com/manifestos/avant.pop.manifesto.html> February 20, 2014 Derrida, J. 1976. Of Grammatology. Baltimore: Johns Hopkins University Press. Geyh, P., Leebron, F. G.,Levy, A.(eds.). 1998. Postmodern American Fiction. A Norton Anthology. New York: Norton. Hassan, I. 2003. “Beyond Postmodernism: Toward An Aesthetic of Trust”. In Angelaki, 8:1 pp. 3-11. Kelly, A. 2010. “David Foster Wallace and

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Violence as art experience

Works cited: Abrams, S. 2013. Art is an Act of Violence: An Interview with Nicolas Winding Refn . Available at < http://www.rogerebert.com/balder-and-dash/art-is-an-act-of-violence-an-interview-with-nicolas-winding-refn > Anthony, A. 2013. Nicolas Winding Refn: I am a Pornographer. Available at < https://www.theguardian.com/film/2013/jul/13/nicolas-winding-refn-god-forgives > Boydston, J.A., and Simon, H.F. (eds.). 1987, 2008. John Dewey The Later Works. 1925 - 1953: 1934, Art as Experience. With and Introduction by Abraham Kaplan

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The landscape of trauma, pain and hope in Jim Crace’s The Pesthouse

Works cited Adams, T., 2005. “For me, England is a mythical place: an interview with Kazuo Ishiguro.” In: The Guardian , February 20, 2005. Available at: https://www.theguardian.com/books/2005/feb/20/fiction.kazuoishiguro Begley, A., 2002. “A Pilgrim in Craceland.” In: Southwest Review , vol. 87, no. 2 3. Available at: http://www.jim-crace.com/Adam%20Begley%20article.htm Begley, A., 2003. “Jim Crace, The Art of Fiction No. 179.” In: The Paris Review , issue 167. Available at: https://www.theparisreview.org/interviews/122/jim

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Ethnic Literature and Slovak American Research

References Boelhower, W. The Immigrant Novel as Genre. In MELUS, 1981, vol. 8, no. 1, pp. 3-13. Fiedler. L. 1964. Waiting Far the End. New York: Stein and Day. Čulen. K., 2007. History of Slav cia in America. St. Paul, Minnesota: Czechoslovak Genealogical Society International. Gellén, J. Acceptance and Rejection: Proto-Ethnicity in Some Hungarian-American Writings. In MELUS, 1985, vol. 12, no. 4. pp. 25-35. Gladsky, T. 1992. Princess. Peasants, and Other Polish Selves: Ethnicity

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“Philip Marlowe in drag?” – The construct of the hard-boiled detective in feminist appropriation and translation

References Nemesio, A., M. Chiara Levorato and Lucia Ronconi. 2008. “The Time of Reading: The First Perception of Characters in Narrative Texts.” In: Online Proceedings of the Annual Conference of the Poetics and Linguistics Association (PALA) [cit. 2017-11-12], n.p. Available at: file:///C:/Users/admin/AppData/Local/Microsoft/Windows/INetCache/IE/1JU00EZB/nemesio2008.pdf Bem, S. L. 1974. “The measurement of psychological androgyny.” In: Journal of Consulting and Clinical Psychology, vol. 42, no. 2, pp. 155

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Towards an Encyclopaedia of Sequence Biology

sequence. Journal of Molecular Biology , 194, 643–652. [11] Trifonov, E.N., 1999. Elucidating sequence codes: Three codes for evolution. Annals of the New York Academy of Sciences , 870, 330–338. [12] Crick, F.H., 1963. On the genetic code. Science , 139, 461–464. [13] Turner, B.M., 2000. Histone acetylation and an epigenetic code. Bioessays , 22, 836–845. [14] Turner, B.M., 2007. Defining an epigenetic code. Nature Cell Biology , 9, 2–6. [15] Barbieri, M., 2012. Code biology – a new science of life. Biosemiotics , 5, 411

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Productive perils: on metaphor as a theory-building device

–342. [12] Black, M., 1962. Models and metaphors: Studies in language and philosophy . Ithaca: Cornell University Press. [13] Lotman, J., 2011. The place of art among other modelling systems. Sign Systems Studies , 39(2/4), 249. [14] Sebeok, T. A., 2001. Signs: an introduction to semiotics . Toronto studies in semiotics and communication, 2nd edition. Toronto: University of Toronto Press. [15] Sonesson, G., 2015. Bats out of the belfry: The nature of metaphor, with special attention to pictorial metaphors. Signs and Media , 11, 74–104. [16

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Representational Systems in Zoosemiotics and Anthroposemiotics Part I: What Have the So-Called “Talking Animals” Taught Us about Human Language?

References [1] Fossey, D., 1972. Vocalizations of the Mountain Gorilla ( Gorilla gorilla beringei ). Animal Behaviour , 20(1) 36–53. [2] Goodall, J., 1971. In the Shadow of Man . Boston: Houghton-Mifflin. [3] Lilly, J.C., 1967. The mind of the dolphin: A nonhuman intelligence. Garden City, NY: Doubleday. [4] Batteau, D.W., Markey, P.R., 1967. Man/dolphin communication: Final report 15 December 1966–13 December 1967. U.S. Naval Ordnance Test Station (China Lake, California). Contract #NOO123-67-C–1103, available at: < http

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