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Political Theatre in the Age of Brexit: The State of Nation in Monologues

Works Cited Beck, Sarah. “Appropriating Narratives of Conflict in Contemporary Verbatim Theatre: A Practice-as-Research-led Investigation into the Role of the Playwright.” PhD Diss. University of London, 2016. Billington, Michael. “P is for Political Theatre.” The Guardian 27 Mar.2012. Web. 03 July 2017. Billington, Michael. “My Country: A Work in Progress Review – Carol Ann Duffy Tackles Brexit.” The Guardian 13 Mar. 2017. Web. 1 July 2017. Billington, Michael. “The State of Reviewing Today.” Theatre in Crisis: Performance Manifestos

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How the Booker Prize Won the Prize

Works Cited Anderson, Willie. “A Bookseller’s Perspective.” Booker 30: A Celebration of 30 Years of the Booker Prize for Fiction, 1969-1998 . London: Booker, 1998: 26-27. Bennett, Catherine. “The Man Booker Judges Seem to Find Reading a Bit Hard.” The Guardian 10 Sept. 2011. Web. 12 July 2019. Booker 30: A Celebration of 30 Years of the Booker Prize for Fiction, 1969-1998 . London: Booker, 1998. Brett, Simon. The Booker Book: A Novel . London: Sidgwick, 1989. Brockes, Emma. “14 th Time Lucky.” The Guardian 12 Oct. 2005). Web

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Suspect Survival: Matrophobia in Postmemory Generational Writing

Works Cited Antler, Joyce. You Never Call! You Never Write! A History of the Jewish Mother. Oxford: Oxford UP, 2007. Appignanesi, Lisa. Losing the Dead. 1999. London: Virago, 2013. Clementi, Federica K. Holocaust Mothers and Daughters: Family, History, and Trauma. Waltham: Brandeis UP, 2013. Feinstein, Margarete Myers. “Absent Fathers, Present Mothers: Images of Parenthood in Holocaust Survivor Narratives.” Nashim: A Journal of Jewish Women’s Studies and Gender Issues 13 (2007): 155-82. Web. 27 June 2016. Fremont, Helen

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Narrating the extremes: The language of suffering and survival in Laila Lalami’s The Moor's Account

’s Account by Laila Lalami. In: African and Black Diaspora: An International Journal. Available at: < > Frank, A. W. 1995. The Wounded Storyteller: Body, Illness, and Ethics. Chicago: The University of Chicago Press. Ghosh, R. 2018. Essays in Literary Aesthetics. Springer. Available at: < > Hiddleston, J. 2011. Introduction. In P. Crowley, & J. Hiddleston, Postcolonial Poetics: Genre and Form. Liverpool: Liverpool University Press, pp. 1-10. Kristeva, J

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Ars Aeterna
Literary Studies and Humanity
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The devil inside that won’t be caged or fixed by words: Fluidity and ethics in Ian McGuire’s The North Water

Works cited: Andress, D. 1998. “Truth, Ethics and Imagination: Thoughts on the Purpose of History.” In: Arnold, J., K. Davies and S. Ditchfield (eds.). History and Heritage: Consuming the Past in Contemporary Culture. Shaftesbury, Dorset: Donhead. Arenas, E.C. 2011. “Villains in Our Mind: A Psychological Approach to Literary and Filmic Villainy.” In: Fahraeus, A. and D.Y. Çamoğlu (eds.). Villains and Villainy: Embodiments of Evil in Literature, Popular Culture and Media. Amsterdam and New York: Rodopi, pp. 3-27. Blanchot, M. 1986. “Our

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Studia Anglica Posnaniensia
The Journal of Adam Mickiewicz University
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“A Pattern for Princes to Live by”: Popery and Elizabethan History During England’s Exclusion Crisis, 1679-1681

in Masquerade. 1681. Print. ---. The Observator in Dialogue. August 19, 1682. Print. Luttrell, Narcissus. A Brief Historical Relation of State Affairs from September 1678-April 1714. 6 Vols. Oxford, 1857. Print. Neufeld, Matthew. The Civil Wars After 1660: Public Remembering in Late Stuart England. Woodbridge: Boydell Press, 2013. Print. North, Roger. Examen. Or an Inquiry into the Credit and Veracity of a Pretended History. London, 1740. Print. Parliament. Statutes of the Realm, 13

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Cognitive Contagion: Thinking with and through Theatre

References Blair, R., & Cook, A. (Ed.) (2016). Theatre, Performance and Cognition: Languages, Bodies and Ecologies . London, UK: Methuen. Boroditsky, L., & Ramscar, M. (2002). The roles of body and mind in abstract thought. Psychological Science, 13 (2), 185–9. Cook, A. (2007). Interplay: The Method and Potential of a Cognitive Scientific Approach to Theatre. Theatre Journal , 59 (4). Cook, A. (2015). Bodied Forth: A cognitive scientific approach to performance analysis. In N. George-Graves (Ed.). The Oxford Handbook of Dance and

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Thinking, Experiencing and Rethinking Mereological Interdependence

). Philosophy of arithmetic: Psychological and logical investigations with supplementary texts from 1887-1901 . Dordrecht: Springer. Koenderink, J. (2012). Visual awareness . Utrecht: De Clootcrans Press. Koestler, A. (1970). Beyond atomism and holism - the concept of the holon. Perspectives in Biology and Medicine , 13 (2), 131–154. Koffka, K. (1922). Perception: an introduction to the Gestalt-Theory. The Psychological Bulletin , 19 (10), 531–585. Köhler, W. (1939). The place of value in a world of facts . London: Kegan Paul, Trench, Trubner

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