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Alternative Networks of Globalisation: Latvian Neorealism in the Films of Laila Pakalniņa

, Richard 2007. A History of the French New Wave Cinema . 2nd ed. Madison: University of Wisconsin Press. Pērkone, Inga 2013. Tu, lielā vakara saule! Esejas par modernismu Latvijas filmās . Rīga: Neputns. Pētersone, Līva 2012. ‘Latvian Documentary Cinema: The New Generation’. – KinoKultura , Special Issue 13: Latvian Cinema. (10 June 2015). Redwood, Thomas 2010. Andrei Tarkovsky’s Poetics of Cinema . Newcastle upon Tyne: Cambridge Scholars Publishing. Rietuma, Dita 2012. ‘Intuitīvais

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Strategic Management of Crossmedia Production at Estonian Public Broadcasting

; Hills, Matt 2007. ‘TVIII: Into, or Towards, a New Television Age?’. - New Review of Film and Television Studies, 5, 1, 1-4. Dailey, Larry; Demo, Lori; Spillman, Mary 2005. ‘The Convergence Continuum: A Model for Studying Collaboration Between Media Newsrooms’. - Atlantic Journal of Communication, 13, 3, 150-168. Debrett, Mary 2009. ‘Riding the Wave: Public Service Television in the Multi-platform Era’. - Media, Culture & Society, 31, 5, 807-827. doi:10.1177/0163443709339466. Deuze, Mark 2004. ‘What Is Multimedia

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Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances

:// (1 March 2017). Skantze, P. A. 2002. ‘Watching in Translation: Performance and the Reception of Surtitles’. - A Journal of the Performing Arts 7, 2, 26-30. Smith, Alistair 2013. ‘Ticketmaster Report: Theatre Audiences Getting Younger and More Experimental’. - The Stage, 26 September. (1 March 2017). Sproles, George B. 1983. ‘Conceptualisation and Measurement of Optimal Consumer

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How Movies Influence Our Dietary Behaviour?

, 11, 1, i81-i91. Mekemson, C.; Glik, D.; Titus, K.; Myerson, A.; Shaivitz, A.; Ang, A. 2004. ‘Tobacco use in popular movies during the past decade’. - Tobacco Control, 13, 4, 400-402. Mitchell, A. P. 2005. ‘Tivo blamed for massive increase in product placement in television shows’. - The Internet Patrol, December 14. (27 April 2012). Newell, J.; Salmon, C. T.; Chang, S. 2006. ‘The hidden history of product

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Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)

REFERENCES Anonymous 1967. ‘Filmitegijate töömailt’. – Sirp ja Vasar , 15 September. Attwood, Lynne 1993. ‘Women, Cinema and Society’. – Lynne Attwood (ed.), Red Women on the Silver Screen: Soviet Women and Cinema from the Beginning to the End of the Communist Era . London: Pandora Press, 19–124. Baraban, Elena 2007. ‘ The Fate of a Man by Sergei Bondarchuk and the Soviet Cinema of Trauma’. – The Slavic and East European Journal 51, 3, 514–534. Edgerton, Gary R. 2001. ‘Introduction: Television as Historian. A Different Kind of

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Exploring the Ways Cinematography Affects Viewers’ Perceived Empathy towards Onscreen Characters

REFERENCES Andréasson, Per 2010. Emotional Empathy, Facial Reactions, and Facial Feedback. Acta Universitatis Upsaliensis. Digital Comprehensive Summaries of Uppsala Dissertations from the Faculty of Social Sciences 58. Uppsala: Uppsala Universitet. Berliner, Todd; Cohen, Dale J. 2011. ‘The Illusion of Continuity: Active Perception and the Classical Editing System’. – Journal of Film and Video 63, 1, 44–63. Bickart, Kevin C.; Dickerson, Bradford C.; Barrett, Lisa Feldman 2014. ‘The Amygdala as a Hub in Brain Networks That Support Social

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Painful Neutrality: Screening the Extradition of the Balts from Sweden

, Lasse 1970. ‘Tragedin att vara människa’. – Expressen , 7 July. Bergström, Lasse 1978. ‘Baltutlämningen’. – Expressen , 13 January. Björkman, Stig 1978. Nya bilder och dagsljus. Tio svenska regissörsporträtt . Stockholm: PAN/Norstedt. Brown, Andrew 2016. ‘PO Enquist: “An Upbringing Like Mine Marks You Like a Branding Iron”‘. – The Guardian , 30 July. (8 July 2018). Buelens, Gert; Durrant, Sam; Eaglestone, Robert

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The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany

, Mats 2003. ‘Beyond Neopositivists, Romantics, and Localists: A Reflexive Approach to Interviews in Organizational Research’. - Academy of Management Review 28, 1, 13-33. Backhaus, Klaus; Erichson, Bernd; Weiber, Rolf 2015. Fortgeschrittene multivariate Analysemethoden. Eine anwendungsorientierte Einführung. Heidelberg: Springer Gabler. Balmer, John M. T. 2008. ‘Identity Based Views of the Corporation: Insights from Corporate Identity, Organisational Identity, Social Identity, Visual Identity, Corporate Brand Identity and Corporate

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Heroes and Social Criticism in the Works of Valeria Anderson

. 2008. A New History of Documentary Film. New York: Continuum. Эльманович, Татяна 1975. Образ факта. От публицистики к фильму на эстонском телевидении. Москва: Искусство. Elmanovitš, Tatjana 1976. ‘Eesti kinematografistide kongressi eel’. - Sirp ja Vasar, 9 April. Elmanovitš, Tatjana 1977. ‘Dokumentaalfilmidest 1976’. - Sirp ja Vasar, 18 March. Elme, Toivo 1977. ‘Mitte ainult leivast…’. - Sirp ja Vasar, 13 May. Фомин, Валерий (ed.) 2012. История киноотрасли в России: управление

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Global Multi-Protagonist Trends in a Local Setting: The Case of Frozen Land and Autumn Ball

Parallel Narrative’. - Linda Aronson. (14 August 2017). Azcona, Maria del Mar 2005. ‘Making Sense of a Multi-Protagonist Film: Audience Response Research and Robert Altman’s Short Cuts (1993)’. - Miscelánea: A Journal of English and American Studies 32, 11-22. Azcona, Maria del Mar 2008. ‘Love Is a Many-Person’d Thing: Multi-Protagonist Tales of Contemporary Desire’. - Bells: Barcelona English Language and Literature Studies 17, 1-13. Azcona, Maria del Mar

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