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How Movies Influence Our Dietary Behaviour?

Lancet, 357, 29-32. Sauer, A. 2012. ‘62M view Chinese love story is really Australia tourism commercial’. - Brandchannel, May 11. (12 May 2012). Sauer, A. 2013. ‘Product placement sees global rise as fans face saturated entertainment’. - Brandchannel, April 24. (25 August 2013). Scammon, D. C.; Christopher, C. L. 1981. ‘Nutrition education

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Transmedia Project Design: Theoretical and Analytical Considerations

). Herman, D. 2004. ‘Toward a transmedial narratology’. - M.-L. Ryan (ed.), Narrative Across Media: The Language of Storytelling. Lincoln: University of Nebraska Press, 47-75. Iacobacci, N. 2008. From Crossmedia to Transmedia: Thoughts on the Future of Entertainment. (24 May 2008). Jenkins, H. 2003. Transmedia Storytelling. (15 January 2003). Jenkins, H. 2006. Convergence Culture: Where Old and New Media Collide. New York

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Global Multi-Protagonist Trends in a Local Setting: The Case of Frozen Land and Autumn Ball

University Press. Doane, Mary Ann 2002. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA; London: Harvard University Press. Eesti filmi arengusuunad 2012-2020. (21 August 2017). Foster, Tyler 2010. ‘Frozen Land aka Paha maa’. - DVD Talk, 4 August. (14 August 2017). Fundin, Johan 2006. ‘Frozen Land’. - 10K Bullets, 27 November. http://10kbullets

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Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances

-4a2f-80c9-162d712361c6/sintesis-2010-2011-ingles.pdf (1 March 2017). Moretti, Franco 2001. ‘Planet Hollywood’. - New Left Review 9, May/June, 90-101. Moschis, George P. 1976. ‘Shopping Orientations and Consumer Uses of Information’. - Journal of Retailing 52, 2, 61-70, 93. Munk, Nina 2010. ‘The Met’s Grand Gamble’. - Vanity Fair Culture, May. (1 March 2017). NEA 2015. A Decade of Arts Engagement: Findings From the Survey of Public

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