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Time’s Tricephalous Image in Macbeth by William Shakespeare

Bibliography Alexa, Visarion, Spectacolul ascuns , Editura Buna Vestire, Blaj, 2010. Apt, Bryan, A Wave of Destruction: Time’s Inexorable Effects in Hamlet and Macbeth . Master’s thesis, Harvard Extension School, 2015. Cartari, Vicenzo, Le imagini de i Dei de gli Antichi , Padova, 1608. Cohen, Simona, Transformations of Time and Temporality in Medieval and Renaissance Art , European History and Culture E-Books Online, Collection 2014-II, Brill’s Studies in Intellectual History Online, Supplement 2014, Volume: 228/6. Eric P. Levy

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Politics of Imperceptibility: Philosophy, Post-Feminism and New Media Arts

Abstract

The essay discusses Deleuze and Guattari’s notion of becoming-imperceptible and raises the question to what extent it can be interpreted in terms of feminist politics and seen as a specific strategy for new media arts. Although the notion of becoming-imperceptible was condemned by second wave feminists, recent post-feminists representing the third wave argue not for politics of visibility but for politics of invisibility. Examining the practices of Lithuanian feminist media artists, the essay argues that becoming-imperceptible in new media arts means not an escape from visibility or a drive toward annihilation but a new conceptual strategy: becoming-imperceptible creates the potential for social and political change. This new conceptual strategy can be related to the new quality of the image: in this regard there is a close affinity between Deleuze and Guattari’s notion of becoming-imperceptible and the notion of the crystalline image which appears in Deleuze’s film theory: both notions engender duration, temporality and qualitative change. Therefore the essay claims that the crystalline image does not represent the world but recreates this world through multiple, changing and virtual images.

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Slowly Moving Bodies: Signs of Pictorialism in Aki Kaurismäki’s Films

: The Temporal Turn in Contemporary Art. New York, London: Bloomsbury. Schrader, Paul 1972. Transcendental Style in Film: Ozu, Bresson, Dreyer. Berkeley: University of California Press. Thompson, Kristin; Bordwell, David 2003. Film History: An Introduction. 2nd ed. New York: McGraw-Hill. Valkola, Jarmo 1993. Perceiving the Visual in Cinema: Semantic Approaches to Film Form and Meaning. Jyväskylä Studies in the Arts 42. Jyväskylä: University of Jyväskylä. Valkola, Jarmo 2000. Aesthetic & Cognitive

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Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland

Environments. PhD thesis. University of Sydney. Duffett, Mark 2013. Understanding Fandom: An Introduction to the Study of Media Fan Culture. New York: Bloomsbury. Eco, Umberto 1990. I limiti dell’interpretazione. Milano: Bompiani. Evans, Elisabeth 2015. ‘Layering Engagement: The Temporal Dynamics of Transmedia Television’. - Storyworlds: A Journal of Narrative Studies 7, 2, 111-128. Fiske, John 1989. ‘Moments of Television’. - Ellen Seiter, Hans Borchers, Gabriele Kreutzner, Eva-Maria Warth (eds.), Remote

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