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The Archive and the Digital Age: Field Notes from the Pedagogical Front

: Reading for the Challenges of Collaborative Digital Humanities Pedagogy.” College & Undergraduate Libraries 24 / 2-4 (Apr. 2017): 257-269. Library, Information Science & Technology Abstracts . doi: 10.1080/10691316.2017.1340217. Griffin, Melanie and Tomaro I. Taylor. “Shifting Expectations: Revisiting Core Concepts of Academic Librarianship in Undergraduate Classes with a Digital Humanities Focus.” College & Undergraduate Libraries 24.2-4 (2017): 452-466. Library, Information Science & Technology Abstracts . doi: 10.1080/10691316.2017.1325346. Accessed 24

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Introduction: Sailing along Intermedial Rivers

Interdisciplinary Dialogue 6 (2008): 69-101. Gen. ed. Magnar Breivick and Siglind Bruhn. Hillsdale, NY: Pendragon Press, 2008. Reynolds, Bryan. “Introduction: Formal Matters.” Intermedial Theater: Performance, Philosophy, Transversal Poetics, and the Future of Affect . Ed. Bryan Reynolds. Palgrave Studies in Performance and Technology. New York: Palgrave Macmillan, 2017. 1-4. Spiegel, Lynn. “Theorizing the Bachelorette: ‘Waves’ of Feminist Media Studies.” Signs: Journal of Women in Culture and Society 30/1 (2004): 1209-1221.

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A Holonic Approach to Shakespeare: The Digital Reference System (DRS)

://ota.ahds.ac.uk> Furnivall, F. J. and Griggs, and & Praetorius, C. eds. “ Shakespeare Quarto Facsimiles [1880]” . London: Griggs and Praetorius. <http://www.archive.org/details/cu31924013134451> Gibaldi, Joseph. ed. MLA Handbook for Writers of Research Papers. NewYork: Modern Language Association of America, 1999. 5th edition. Greetham, David C. (1994) Textual Scholarship: An Introduction. New York and London: Garland Publishing, 1994. Johnson, Eric. “OpenSourceShakespeare: An Experiment in Literary Technology.” < http

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Diluted Blood: Identity and the Other in Three Novels by Doeschka Meijsing

en nostalgie literatuur, foto‘s en films. Amsterdam: Prometheus Bert Bakker. Plate, Liedeke, en Anneke Smelik. 2009. “Introduction: Memory/Counter-memory.” Technologies of Memory in the Arts. Eds Liedeke Plate, en Anneke Smelik. New York: Palgrave Macmillan. 71-73. Said, Edward W. 2003[1978]. Orientalism. London: Penguin Books. Snead, James A. 1986. Figures of Division. William Faulkner‘s Major Novels. New York: Methuen. Staunæs, Dorthe, en Dorte Marie Sondergaard. 2011. “Intersectionality: A

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“This England”: Re-Visiting Shakespearean Landscapes and Mediascapes in John Akomfrah’s The Nine Muses (2010)

Prosthesis of Origin . Trans. Patrick Mensah. Stanford, CA: Stanford University Press, 1998. Derrida, Jacques. Of Grammatology . Trans. Gayatri Chakravorty Spivak. Baltimore and London: The Johns Hopkins University Press, 1976. Eshun, Kodwo, and Anjalika Sugar, eds. The Ghosts of Songs: The Film Art of the Black Audio Film Collective . Liverpool: Liverpool University Press / Foundation for Art and Creative Technology, 2007. Fisher, Mark. Rev. of The Nine Muses . Sight & Sound 22.2 February 2012:75. Huang, Alexa. “Global Shakespeares as

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Translation as Rewriting: Cultural Theoretical Appraisal of Shakespeare’s Macbeth in the Ewe language of West Africa

W orks C ited Achebe, Chinua. Things Fall Apart . New York: Anchor Books, 1996. Adiku, E. T. Bumekpɔ . Accra: Bureau of Ghana Languages, 1959. Agawu, Kofi. Representing African Music: Postcolonial Notes, Queries, Positions New York: Routledge, 2003. Agbozo, Gabriel Edzordzi. Language Choice in Ghanaian Classrooms: Linguistics Realities and Perceptions . MPhil. Thesis in English Linguistics and Language Acquisition, Norwegian University of Science and Technology, Trondheim, Norway, 2015. Akafia, Seth. Ku Le Xɔme . Accra: Bureau

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Olga Kirsch se posisie in die Afrikaanse literêre sisteem (1900-1978) / Olga Kirsch’s Position in the Afrikaans Literary System (1900-1978)

: Practice and experience 21 (11): 1129-1164. Gaertler, Marco, en Dorothea Wagner. 2007. “Visualizing Large Complex Networks.” Large Scale Structure and Dynamics of Complex Networks: From Information Technology to Finance and Natural Science. Eds Guido Caldarelli, en Alessandro Vespignani. London: World Scientific. 115-132 Granovetter, Mark S. 1973. “The Strength of Weak Ties.” American Journal of Sociology 78 (6): 1360-1380. Guimerá, R., en L. A. N. Amaral. 2004. “Modeling the World-wide Airport Network.” Eur. Phys. J. B 38

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The Figure of the Migrant: Tommy Wieringa’s Intellectual Intervention

[1962]. The Structural Transformation of The Public Sphere. Cambridge, MA: Massachusetts Institute of Technology. _____. 2009. Europe, The Faltering Project. Trans. Ciaran Cronin. Cambridge: Polity. Heynders, Odile. 2016. Writers as Public Intellectuals: Literature, Celebrity, Democracy. London: Palgrave. Hulst, Auke. 4 Nov. 2017. “Justitie, zoek uit wat Mutsaers heeft gedaan.” NRC. 12 Nov. 2017. <https://www.nrc.nl/nieuws/2017/11/04/justitie-zoek-uit-wat-mutsaers--heeft-gedaan-13829611-a1579910>. Kapplani

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Shakespeare in Digital Games and Virtual Worlds

the internet” Diss. Queensland University of Technology, 2008. 27 January 2016. < http://eprints.qut.edu.au/28544/1/Helen_Jamieson_Thesis.pdf >. Juul, Jesper. Half-Real: Video Games between Real Rules and Fictional Worlds. Cambridge MA: MIT Press, 2005. King, Geoff and Tanya Krzywinska. ScreenPlay: Cinema/videogames/interfaces. London: Wallflower Press, 2002. Klevjer, Rune. “What is the avatar? Fiction and Embodiment in Avatar-Based Singleplayer Computer Games” Diss. University of Bergen, 2006. 19 January 2016. < http

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