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Cross-Cultural Filmmaking as a Process of Self-Reflection: Filming Native Americans within Central European Space’s Prevailing Imagery of the “Noble Savage”

. VIZENOR, G. (1993). The Ruins of Representation: Shadow Survivance and the Literature of Dominance. In. American Indian Quarterly 17:1, pp. 7-30. WEATHERFORD, E. (ed) (1981): Native Americans on Film and Video. New York: National Museum of the American Indian/Heye Foundation. WEINBERGER, E. (1992): The Camera People. In. Transition 55, pp. 24-54. WILSON, P. - STEWART, M. (eds.) (2008): Global Indigenous Media: Cultures, Poetics, and Politics. Durham and London: Duke University Press. WOLFE, T. (2000

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