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Holocaust Representation and Graphical Strangeness in Art Spiegelman’s Maus: A Survivor’s Tale: “Funny Animals,” Constellations, and Traumatic Memory

Distance in Holocaust Literature. Journal of American Culture 18(1): 35–40. DOI: 10.1111/j.1542-734X.1995.1801_35.x (Accessed on: 17 September 2017). Hirsch, Marianne. (2001). Surviving Images: Holocaust Photographs and the Work of Postmemory. The Yale Journal of Criticism 14(1): 5–37. DOI: 10.1353/yale.2001.0008 (Accessed on: 17 September 2017). Hirsch, Marianne. (2011). Mourning and Postmemory. In: Michael A. Chaney (ed.), Graphic Subjects. Critical Essays on Autobiography and Graphic Novels (Wisconsin Studies in Autobiography). Wisconsin–London: The

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