The wooden architecture of the 19th century is mentioned in the UNESCO World Heritage description of Riga among the criteria that makes the Capital city of Outstanding Universal Value. So far, 3 500 wooden buildings in the city have survived. This paper summarizes information on the renovation of four wooden buildings. The aim of this paper is to give a closer overview on the impact of ownership, funding source and location in the city of the building on the process of renovation and architectural change. The internationally approved renovation principles in the renovation of wooden buildings in Riga are not often taken into account.
moving (...) but history also shows that arbitrary borders, albeit the most unstable, on the other hand, survive the most persistently in human consciousness precisely because of the representations they carry’ ( Gerva & Rose 2010 : 188).
The greatest wave of pastelization has passed. With economic stabilization, the need for proving one’s progressive, full European identity to the West is slowly disappearing. As the necessity of the overstatement of consumerist identity begins to fade, this dark communist past is approached more and more objectively.
In this sense
additional parking places designed. The overall image of this crucial central space of Złotoryja became more homogenous and orderly.
Nowa Ruda and its square date back to 1442, when fairs and markets officially began to be organized ( Eysymontt 2009 : 432). The size of the square (85 x 65m) dominates the town and is well depicted on the lithography from 1736 by F. A. Pompejus ( Neurode aus der Vogelschau im Jahre 1736 , n. d.). The town centre was destroyed by fire in the 19th century and later rebuilt, surviving mostly in this state until today
in old Algiers is not distinguished by anything special. Their appearance resembled the idea of simplicity, ugliness, poverty and poor execution, although paradoxically many of these constructions have survived the numerous earthquakes that regularly haunt the city. The real wealth of the residential architecture of old Algiers is in the interior of the house. The vertical structure of buildings includes columns and brick arches ( Abdessemed-Foufa 2011 : 5) and various elements used to decorate the houses of the Casbah: wooden balustrades, decorated doors, capitals
commemoration and its narrative. Nevertheless, neither memory nor commemoration is a straightforward, simple, one-way road: both individual and collective memory is subject to constant reformulation, whereas a proliferation of commemorations and politics of remembrance explains why memorials have a difficult task when tempting to address the multiplicities of memories (if they wish to at all). Still, there are monuments, like the Arc de Triomphe in Paris, which have not only managed to survive various regimes, but - if one considers the millions of tourists who visit it each