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Psychoanal 75 :3-19. OGDEN, T.H. (1997). Reverie and interpretation . Jason Aronson, Northvale NJ. OGDEN, T.H. (2005). The art of psychoanalysis . Routledge, London. OGDEN, T.H. (2007). On talking-as-dreaming. . Int J Psychoanal 88 :575-589. OGDEN, T.H. (2016). Reclaimed unlived life. Experiences in psychoanalysis. Routledge, London. PEIRCE, C.S. (1908). Play of Musement. In Opere [Collected Papers]. Bompiani, Milano, 2011. PEIRCE, C.S. (1929). Guessing. In Opere [Collected Papers]. Bompiani, Milano, 2011. PROPP, V.J. (1928). Morfologia della fiaba [ Morphology o

-Australian-British film. CASSORLA, R.M.S. (2012). What happens before and after acute enactments? An exercise in clinical validation and the broadening of hypotheses. Int J Psychoanal 93 :53-80. CIVITARESE, G. (2013). Embodied Field, Somatic Reverie and Patients with Blocks To Symbolization. Panel 92, Prague-I.PA. Congress . CIVITARESE, G. (2014). Truth and the Uunconscious in Psychoanalysis. Routledge, London 2016. DE MATTOS, J.AJ., BRAGA, J.C. (2013). Primitive Conscience. In Growth and turbulence in the container contained by Levine, H.B. and Brown L.J. Routledge, N.Y. DIAMOND

Abstract

This article presents a summary of the theses advanced in Bion’s Transformations and describes their application by the analyst in the session. It then discusses the development of post-Bionian transformations in dreaming and play. Clinical material illustrates how these transformations may become effective therapeutic tools.

REFERENCES ABREVAYA, E. (2013). Kadınlığın uzun ve dolambaçlı yolu [The long and long-winded road of femininity]. Bağlam Yayınları, Istanbul. BERGSTEIN, A. (2013). Transcending the caesura: Reverie, dreaming and counter-dreaming. Int J Psychoanal 94 (4): 621-644. BION, W.R. (1962). The psychoanalytic study of thinking. Int J Psychoanal 43 :306-310. BION, W.R. (1963). Elements of Psychoanalysis . Heinemann, London. BION, W.R. (1994). Emotional turbulence, In Clinical seminars and other works . Karnac Books, London, 1976, pp. 295-306. FREUD, S. (1923). The

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playing together. In this way, the authentic becomes a function of the encounter. In this encounter, the analyst is in a state of reverie, as Fulvio Mazzacane tells us, “ that state of mind open to the reception of all the objects coming from the loved object” (p.6) The exchanges that become so possible lead to the creation of a space where the two protagonists become functions of the space and the origin of their interventions and the roles played can not be clearly traced. From that moment on, the encounter has its own life and will transform the interaction in

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