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Bandit: Here to Haunt You! On Why I Became an Émigré Theatre Maker

University Press, 1991. Bloch, Ernst, and Mark Ritter. “Non-Synchronism and the Obligation to Its Dialectics.” New German Critique, 11 (Spring 1977): 31. Boia, Lucian. La mythologie scientifique du communisme . Paris: Les Belles Lettres, 2000. Boym, Svetlana. The Future of Nostalgia . New York: Basic Books, 2001. Caruth, Cathy. Trauma: Explorations in Memory . Baltimore: Johns Hopkins University Press, 1995. Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History . Baltimore: Johns Hopkins University Press, 1996

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Dislocation: The Conflict of Photographic and Cinematographic Representations of War in Soviet Lithuania

darbai 1947-1952 m.” Menotyra 16 (2009): 150-169. Azoulay, Ariella. Civil Imagination: A Political Ontology of Photography, London: Verso, 2015. Bassnett, Sarah, and Noble, Andrea. “Introduction. Cold War Visual Alliances.” Cold War Visual Alliances, Visual Studies 30, No. 2, 2015: 119-122, http://www.tandfonline.com/doi/full/10.1080/1472586X.2015.1024976. Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001. Čepaitienė, Rasa. “ “Tarybinės sostinės” konstravimas J. Stalino epochoje: Minsko

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