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Affect and Nostalgia in Eva Hoffman’s Lost in Translation

References Ahmed, Sara. 2010. Happy objects. In Melissa Gregg and Gregory J. Seigworth (eds.), The affect theory reader, 29-51. Durham: Duke University Press. Angé, Olivia and David Berliner. 2015. Introduction: Anthropology of nostalgia-anthropology as nostalgia. In Olivia Angé and David Berliner (eds.), Anthropology and nostalgia, 1-16. New York: Berghahn. Baranczak, Stanislaw. 1990. Breathing under water and other East European essays. Cambridge: Harvard UP. Berberich, Christine, Neil Campbell

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”A past that has never been present”: The Literary Experience of Childhood and Nostalgia

W orks C ited Agacinski, Sylviane. Time Passing: Modernity and Nostalgia . Trans. Jody Gladding. New York: Columbia UP, 2000. Print. Austin, Frances O. “ Ing forms in Four Quartets .” English Studies 63.1 (1982): 23–31. Print. Austin, Frances O. “Making Sense of Syntax: A Reply to Peter Barry.” English Studies 66.2 (1985): 167–68. Print. Barrie, J. M. “ Peter Pan” and “Peter Pan in Kensington Gardens.” Ware: Wordsworth, 2007. Print. Boym, Svetlana. The Future of Nostalgia . New York: Basic, 2001. Print. Caracciolo

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Men Without Fingers, Men Without Toes

Abstract

What happens once the rogue rides off into the sunset? This cross-genre essay considers the figure of the rogue’s decline and gradual dismemberment in the face of the pressures of the world. Beginning with the “rogue” digits and other body parts lost by the men who surrounded him in his youth—especially his grandfather—Dobson considers the costs of labour and poverty in rural environments. For him, the rogue is one who falls somehow outside of cultural, social, and political norms—the one who has decided to step outside of the establishment, outside of the corrupt élites and their highfalutin ways. To do so comes at a cost. Turning to the life of writer George Ryga and to the poetry and fiction of Patrick Lane, this essay examines the real, physical, material, and social costs of transgression across multiple works linked to rural environments in Alberta and British Columbia. The essay shows the ways in which very real forms of violence discipline the rogue, pushing the rogue back into submission or out of mind, back into the shadowy past from whence the rogue first came. Resisting nostalgia while evincing sympathy, this essay delves into what is at stake for one who would become a rogue.

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“But what a place / to put a piano”: Nostalgic Objects in Robert Minhinnick’s Diary of the Last Man

W orks C ited Alexander, Neil. “Shorelines: Littoral Landscapes in the Poetry of Michael Longley and Robert Minhinnick.” The Beach in Anglophone Literatures and Cultures. Ed. Ursula Kluwick and Virginia Richter. London: Routledge, 2015. 71–86. Print. Bate, Jonathan. The Song of the Earth . London: Picador, 2000. Print. Cassin, Barbara. Nostalgia: When Are We Ever at Home? Trans. Pascale-Anne Brault. New York: Fordham UP, 2016. Print. Claeys, Gregory. Dystopia: A Natural History . Oxford: Oxford UP, 2018. Print. Cunningham

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“Dig, What Makes Your Mouth So Big?”: Off-Modern Nostalgia, Symbolic Cannibalism, and Crossing the Border of the Universal Language in Clarence Major’s “The Slave Trade: View from the Middle Passage”

1958-1998 , 300–319. Port Townsend, WA: Copper Canyon Press. Sanchez, Sonia. 1995. Wounded in the House of a Friend . Boston: Beacon Press. SECONDARY SOURCES Arens, William 1979. The man-eating myth: Anthropology and anthropophagy . New York, NY: Oxford University Press. Boym, Svetlana. 2001. The future of nostalgia . New York, NY: Basic Books. Fanon, Frantz. 1967. Black skins, white masks . (Translated by Charles Lam Markmann.) New York, NY: Grove Press. Frye, Marilyn. 1983. The politics of reality: Essays in feminist theory

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Home, Militarism and Nostalgia in Japanese Popular Song from 1937 to 1945

Schlager von 1937 bis 1945.” Diploma thesis, University of Vienna, 2007 Takeyama, Akiko 竹山昭子. Shiryō ga kataru taiheiyō sensō-ka no hōsō 史料が語る太平洋戦争下の放送 [Broadcasting during the Pacific War, told by means of historical sources.] Kyōto: Sekai shishōsha, 2005 Tipton, Elise K. Modern Japan. A Social and Political History . London and New York: Routledge, 2002 Waldenfels, Bernhard. Topographie des Fremden . Frankfurt am Main: Suhrkamp (Studien zur Phänomenologie des Fremden I), 1997 Yano, Christine R. Tears of Longing. Nostalgia and the Nation in

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“This fabulous flotsam”: Michael Moorcock’s Urban Anthropology in “London under London”

.org. literarylondon. org, n.p. Web. 31 March 2015. Bonnett, Alastair. “The Dilemmas of Radical Nostalgia in British Psychogeography.” Theory Culture Society. 26 (2009), 45-70. Print. ---. Left in the Past Radicalism and the Politics of Nostalgia. London and New York: Continuum, 2011. Print. Bulwer-Lytton, Edward. Vril, the Power of the Coming Race (1871). Whitefish, MT: Kessinger Publishing, 1997. Print. Chalupsky, Petr. “London of the Mind: The Narrative of Psychogeographic Antiquarianism in Selected London Novels of

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Reading Never Let Me Go from the Mujo Perspective of Buddhism

Works Cited “About Mujo [ Mujo to ha].” Buddha’s Teachings [ Buddha no Oshie ], n. d. Web. 1 June 2018. Arai, Toshikazu. Rennyo’s Message on White Ashes . 7 July 2014. Web. 5 June 2015. Ayase, Haruka, and Kazuo Ishiguro. “Heisei No Hara Setsuko Sekaiteki Sakka Ni Aini Iku / Setsuko Hara of Heisei Era Meets the World Famous Novelist.” Bungei Shunju 94.2 (2016): 212-21. Drag, Wojciech. Revisiting Loss : Memory, Trauma and Nostalgia in the Novels of Kazuo Ishiguro . Newcastle upon Tyne: Cambridge Scholars, 2014. Freeman, John

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Nick Joaquin’s Cándido’s Apocalypse: Re-imagining the Gothic in a Postcolonial Philippines

Abstract

Nick Joaquin, one of the Philippines’ pillars of literature in English, is regrettably known locally for his nostalgic take on the Hispanic aspect of Philippine culture. While Joaquin did spend a great deal of time creatively exploring the Philippines’ Hispanic past, he certainly did not do so simply because of nostalgia. As recent studies have shown, Joaquin’s classic techniques that often echo the Hispanic influence on Philippine culture may also be considered as a form of resistance against both the American neocolonial influence and the nativist brand of nationalism in the 1950s and 1960s. Despite the emergence of Gothic criticism in postcolonial writing, Joaquin’s works have rarely received the attention they deserve in this critical area.

In this context, this paper explores the idea of the Gothic in Joaquin’s writing and how it relates to Joaquin being the “most original voice in postcolonial Philippine writing.” In 1972, the University of Queensland Press featured Joaquin’s works in its Asian and Pacific writing series. This “new” collection, Tropical Gothic (1972), contained his significant early works published in Prose and Poems (1952) plus his novellas. This collection’s title highlights a specific aspect of Joaquin’s writing, that of his propensity to use Gothic tropes such as the blending of the real and the fantastic, or the tragic and the comic, as shown in most of the stories in the collection. In particular, I examine how his novella (Cándido’s Apocalypse) interrogates the neurosis of the nation—a disconnection from the past and its repercussions on the present/future of the Philippines.

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Transgression of Postindustrial Dissonance and Excess: (Re)valuation of Gothicism in Jim Jarmusch’s Only Lovers Left Alive

, Richard, and K. Silem Mohammad. Zombies, Vampires and Philosophy. New Life for the Undead. Chicago and La Salle, IL: Open Court, 2010. Print. Grossman, Lev. “Zombies Are the New Vampires.” Time (online), 9 Apr. 2009. Web. 23 Nov. 2012. Halberstam, Judith J. Skin Shows: Gothic Horror and the Technology of Monsters. Durham, NC: Duke UP, 1995. Print. Hogle, Jerrold, E. The Cambridge Companion to Gothic Fiction. Cambridge: Cambridge UP, 2002. Print. Hutcheon, Linda. “Irony, Nostalgia and the Postmodern.” UTEL . 19 Jan. 1998. Web. 13 Sept

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