Ten years after he passed away, Aurel Stroe remains one of the most valuable composers that Romania has offered to the world in the post-Enescu era. Belonging to an area of novelty and extreme originality of composition and musical thinking, Aurel Stroe was similarly neither understood nor appreciated enough (especially at home) and only to limited extent sung and scheduled within symphonic concerts and chamber music. But abroad, Aurel Stroe remains one of the most performed Romanian composers of modern music. Ten years after his passing away, we will attempt to create an overall view of his musical creations, and the inheritance of his composition thinking.
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