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An Uncanny Cinema, a Cinema of the Uncanny. The Trope of the Doll in the Films of Manoel de Oliveira

Modernity in the Cinema of Manoel de Oliveira. In Atas do II Encontro Anual da AIM , eds. Tiago Baptista and Adriana Martins, 297–308. Lisboa: AIM. Király, Hajnal. 2014. Frames, Windows and Mirrors. Sensing Still Bodies in Films by Manoel de Oliveira. Acta Universitatis Transilvaniae, Film and Media Studies no. 8: 7–20. Kuhn, Annette. 2005. Thresholds: Film as Film and the Aesthetic Experience. Screen vol. 46, no. 4 (winter): 401–414. Lavin, Mathias. 2008. La Parole le lieu. Le cinema selon Manoel de Oliveira [ The Word and the Place. The Cinema

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The Mediatization of Society
A Theory of the Media as Agents of Social and Cultural Change

Rise of the Mediapolis. Cambridge: Polity. Strömbäck Jesper (2007) ‘Four Phases of Mediatization. An Analysis of the Mediatization of Politics’, Paper presented to the ICA Conference in San Francisco May 2007. Thompson, John B (1990) Ideology and Modern Culture. Cambridge: Polity Press. Thompson, John B (1995) The Media and Modernity: A Social Theory of the Media. Cambridge: Polity Press. Tomlinson, John (1999) Globalization and Culture. Cambridge: Polity Press. Tuchman, Gaye (1972

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Time and Space in Early Norwegian Radio
Technology, Textuality, and Discursive Roles and Relations

): 217-228. Department of English, Media and Education, University of London. Dahl, H.F. (1999) Hallo – hallo! Kringkastingen i Norge 1920 – 1940 (Hello–Hello! Broadcasting in Norway 1920-1940 ). Oslo: Cappelen. Ellis, J. (1982) Visible Fictions : Cinema, Television, Video. London: Routledge & Kegan Paul. Fairclough, N. (1992) Discourse and Social Change . Cambridge UK: Polity Press. Furre, B. (1996) Norsk historie 1905–1990 [Norwegian history 1905–1990]. Oslo: Det Norske Samlaget. Giddens, A. (1990) The Consequences of Modernity

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Making Sense of Violent Events in Public Spaces
Citizens’ Cognitions and Emotions of Society and Self in Relation to Mediated Violence

References Altheide, D. & Michalowski, R.S. (1999) ‘Fear in the News: A Discourse of Control’, The Sociological Quarterly 40(3): 475-503. Bauman (1991) Modernity and Ambivalence. Cambridge, UK: Polity Press. Bauman (2001) The Individualized Society. Malden, MA: Polity Press. Beck, U. & Beck-Gernsheim, E. (2002) Individualization. Institutionalized Individualism and its Social and Political Consequences. London: Sage. Bennulf, M. (2001) Opinion 2001. Nya hot och risker. Den svenska

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German Expressionism in Context: the First World War and the European Avant-Garde

Modernity: The Great War and the New Man ]. Paris: Aubier. Goebel, Stefan. 2007. Exhibitions. In Capital Cities at War: Paris, London, Berlin 1914–1919 . A Cultural History , vol. 2, eds. J. Winter and J.-L. Robert, 143–187. Cambridge: Cambridge University Press. Jelavich, Peter. 1999. German culture in the Great War. In European Culture in the Great War: The Arts, Entertainment and Propaganda , eds. A. Roshwald and R. Stites, 33–57. Cambridge: Cambridge University Press. Kandinsky, Wassily and Franz Marc, eds. 1979. The Blaue Reiter Almanac . New

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Proximity and Distance
Time and Space in Norwegian Newspaper Articles about the World 1880-1930

) Marketing and Modernity. Oxford: Berg. Nustad, Knut (2003) Gavens makt. Oslo: Pax. Ricoeur, Paul and Ystad, Hallvard (1999) Eksistens og hermeneutikk. Oslo: Aschehoug. Schütz Alfred (2002) Den sociala världens fenomenologi. Göteborg: Daidalos. Tjelmeland, Hallvard (2004) Aviser som historisk kjelde, Pressehistoriske skrifter 3/2004, 114-131, Oslo: IMK.

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Where is Visual Culture in Contemporary Theories of Media and Communication?

-308. Becker, Karin (1998) Bilden i den visuella kulturen/ The Image and Visual Culture. In Carl Heideken (ed.) Xposeptember Stockholm Fotofestival 1998. Stockholm: Xposeptember, 17-40. Becker, Karin (2000) The Changing Picture of/on the Newspaper Page. In Becker, Karin; Ekecrantz, Jan & Olsson, Tom (eds.) (2000). Picturing Politics. Visual and Textual Formations of Modernity in the Swedish Press. Stockholm: Stockholm Univeristy, JMK Skriftserien 2000:1. Becker, Karin (2002) Fotografier: Lagrade bildminnen. In Becker, Karin; Bjurström, Erling

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Plenary Session I. Research at the Forefront of Media Science. On the Cutting Edge, or Otherwise, of Media and Communication Research

References Giddens, A. (1991) Modernity and Self-Identity: Self and Society in the Late Modern Age. Cambridge: Polity Press. Livingstone, S. (1989) Audience Reception and the Analysis of Program Meaning, American Behavioral Scientist, 33(2), 187-190. Livingstone, S. (1998a) Audience Research at the Crossroads: The ‘Implied Audience’ in Media Theory. European Journal of Cultural Studies, Vol. 1(2), 193-217. Livingstone, S. (1998b) Relationships between Media and Audiences: Prospects for Future

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Plenary I. Global, Hybrid or Multiple? Exploring Cultural Globalisation
New Forms of Experience and Citizen-driven Change Processes

References Appadurai, A. (1996) Modernity at Large. Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press. Appadurai, A. (ed) (2001) Globalization. Durham, N.C.: Duke University Press. Baumann, Z. (2000) Globalization. The Human Consequences. Cambridge: Polity Press. Gumucio-Dagron, A., & T. Tufte (2006) Communication for Social Change Anthology: Historical and Contemporary Readings. New Jersey: The Communication for Social Change Consortium. Hemer, O

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Risk, Reflexivity and Democracy
Mediating Expert Knowledge in the News

Provident State. in S. Lash, B. Szerszynski & B. Wynne (eds.) Risk, Environment and Modernity: Towards a New Ecology. London: Sage. Beck, U. (1997) The Reinvention of Politics. London: Routledge. Beck, U., Giddens A. & Lash, S. (1994) Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order. Cambridge: Polity. Bondebjerg, I. (1996) Public discourse/private fascination: hybridization in ’true-life-story’ genres’, Media, Culture & Society, 18(1): 27-45. Chouliaraki, L. (1999) Media

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