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Theatrology, the New Cultural Management School in Romania

Bibliography Cîntec, Oltița, Hermeneutici Teatrale , Iași: Niculescu, 2010. Cîntec, Oltița, Cultura ca piață: elemente teoretice și practice de management și marketing cultural , Iași: Editura Universității „Alexandru Ioan Cuza”, 2012. Croitoru Carmen, Becuț Anda, Barometru de consum cultural 2012. Cultura și noile tehnologii între sedentarism și activism cultural , București, ProUniversitaria, 2012. Croitoru Carmen, Becuț Anda. Barometru de consum cultural 2014. Cultura între global și local , București, Pro Universitaria, 2014

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Strategic Management of Crossmedia Production at Estonian Public Broadcasting

, Hilde; Tambuyzer, Sil 2013. ‘Collisions of Convergence: Flemish News Workers’ and Management’s Perceptions of the Impact of PSB Newsroom Integration on Journalistic Practices and Identities’. - International Communication Gazette, 75, 1, 54-75. Caldwell, John T. 2006. ‘Critical Industrial Practice: Branding, Repurposing, and the Migratory Patterns of Industrial Texts’. - Television & New Media, 7, 2, 99-134. Chan-Olmsted, Sylvia M. 2005. ‘Response to “Diversification Strategy of Global Media Conglomerates: A Comment”’. - Journal of

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The Metamorphosis of Performing Arts

Interpretation for Encouraging Dance Teacher Interpretation Skills, Article·May 2015 DOI. Weibel, Peter, The Global Contemporary and the Rise of New Art Worlds. Globalization and Contemporary Art , 2017. Web sites http://www.gurdjieff.org/nicolescu3.htm http://escholarship.org/uc/item/0nf7326g http://www.scottishjournalofperformance.org https://scholar.colorado.edu/thtr_gradetds https://www.ugent.be/lw/kunstwetenschappen/spam/en/research/research-tracks.htm https://doi.org/10.1080/10486801003682393 https://www.cairn.info/revue-management

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The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany

, Mats 2003. ‘Beyond Neopositivists, Romantics, and Localists: A Reflexive Approach to Interviews in Organizational Research’. - Academy of Management Review 28, 1, 13-33. Backhaus, Klaus; Erichson, Bernd; Weiber, Rolf 2015. Fortgeschrittene multivariate Analysemethoden. Eine anwendungsorientierte Einführung. Heidelberg: Springer Gabler. Balmer, John M. T. 2008. ‘Identity Based Views of the Corporation: Insights from Corporate Identity, Organisational Identity, Social Identity, Visual Identity, Corporate Brand Identity and Corporate

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Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland

.), Ethics in Screenwriting: New Perspectives. London: Palgrave Macmillan, 147-175. Gibson, James J. 1979. The Ecological Approach to Visual Perception. Boston: Houghton Mifflin. Hallin, Daniel; Mancini, Paolo 2012. Comparing Media Systems Beyond the Western World. Cambridge: Cambridge University Press. Ibrus, Indrek; Merivee, Astra 2014. ‘Strategic Management of Crossmedia Production at Estonian Public Broadcasting’. - Baltic Screen Media Review 2, 96-120. Ibrus, Indrek; Scolari, Carlos A. 2012. Crossmedia

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Audiovisual Policymaking in Estonia at Times of Convergence: An ‘Innovation System’ as a Policy Rationale

-225. Ibrus, Indrek 2015b. ‘The Replacement of Media Policies with (Media) Entrepreneurship Policies: A View from Europe’s Periphery’. - International Journal of Digital Television 6, 3, 311-318. Ibrus, Indrek; Merivee, Astra 2014. ‘Strategic Management of Crossmedia Production at Estonian Public Broadcasting’. - Baltic Screen Media Review 2, 96-120. http://publications.tlu.ee/index.php/bsmr/article/view/222/pdf (5 October 2015). Ibrus, Indrek; Ojamaa, Maarja 2014. ‘What Is the Cultural Function and Value of European Transmedia Independents

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Small Market, Big Format: Idols in Estonia

, Ulrike 2010a. Cultural Barriers to the Success of Foreign Media Content - Western Media in China, India, and Japan. Frankfurt am Main: Peter Lang. Rohn, Ulrike 2010b. ‘The Vertical Barrier Chain: A New Interdisciplinary Framework for Understanding International Media Strategies’. Paper presented at the 9th World Media Economics and Management Conference, Bogotá, Colombia, 2-6 June 2010. Rohn, Ulrike 2011. ‘Lacuna or Universal? Introducing a New Model for Understanding Cross-cultural audience demand’. - Media, Culture & Society, 33, 4

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Tallinn Film Cluster: Realities, Expectations and Alternatives

, ERSA, Barcelona. Burmeister, K.; Neef, A.; Albert, B.; Glockner, H. 2002. Zukunftsforschung und Unternehmen. Praxis, Methoden, Perspektiven. Essen: Z punkt GmbH Büro für Zukunftsgestaltung. Castells, M. 1996. The Rise of the Network Society: The Information Age: Economy, Society, and Culture. Oxford: Blackwell. Davis, C. H.; Creutzberg, T.; Arthurs D. 2009. ‘Applying an innovation cluster framework to a creative industry: The case of screen-based media in Ontario.’ - Innovation: Management, Policy & Practice, 11, 201

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Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances

Eurobarometer 399. http://ec.europa.eu/commfrontoffice/publicopinion/archives/ebs/ebs_399_en.pdf (14 December 2017). Gerhards, Jürgen; Rössel, Jörg 1999. ‘Zur Transnationalisierung der Gesellschaft der Bundesrepublik. Entwicklungen, Ursachen und mögliche Folgen für die Europäische Integration’. - Zeitschrift für Soziologie 28, 5, 325-344. Guider, Elizabeth 2007. ‘Met Sets Tunes to Pop Culture’. - Variety, 2 April, 43. Grönroos, Christian 2000. Service Management and Marketing: A Customer Relationship Management Approach

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