Black, J., Lodge, M. & Theatcher, M. (2005). Regulatory Innovation. A Comparative Analysis . Northampton: E. Elgar.
Blaug, M. (1995). Metodologia ekonomii . Warszawa: PWN.
Bokajło, W. & Dziubka K. (ed.) (2001). Społeczeństwo obywatelskie . Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego.
Börzel, T. (2009). Nowe metody zarządzania a rozszerzenie Unii Europejskiej – paradoks podwójnej słabości. In: Kolarska-Bobińska L. ed. Nowe metody zarządzania w państwach Unii Europejskiej . Warszawa: Instytut Spraw Publicznych
Kampylis, P., Law, N., Punie, Y., Bocconi, S., Brečko, B., Han, S., Looi, C.-K., Miyake, N. (2013).ICT-enabled innovation for learning in Europe and Asia. Exploring conditions for sustainability, scalability and impact at system level. JRC Scientific and Policy Reports. Retrieved from: http://ftp.jrc.es/EURdoc/JRC83503.pdf
Kampylis, P.,Punie, Y. & Devine, J. (2015). Promoting Effective Digital-Age Learning - A European Framework for Digitally-Competent Educational Organisations. doi: 10.2791/54070
, D. F. J. (2010). Triple Helix, Quadruple Helix and Quintuple Helix and how do knowledge, innovation and the environment relate to each other? A proposed framework for a trans-disciplinary analysis of sustainable development and social ecology. International Journal of Social Ecology and Sustainable Development, 1(1), 41-69
Dlabach, G., (2015). The Life Cycle of the Digital Learning Organization. Journal of Education and Human Development. Vol. 4, No. 2(1), pp. 246-247
D. Lgs. 3/8/2008, n. 106 “Disposizioni integrative e correttive
This paper focuses on the contact between pre-imperial China and the peoples living on the steppes in her vicinity. For all the obscurity that had been shrouding the steppe inhabitants throughout centuries of historical scholarship, archaeological discoveries during the past century attest to their highly developed culture and economy and, what is more, make obvious that they had been entertaining close relations with the Chinese from as early as the second millennium BCE. Following a line of scholarship which has set out to redefine the role of the steppes in world history on the basis of this new data, this paper aims to demonstrate certain aspects of the important role they played in the history of China. Several very impactful innovations diffused to early China through interactions with the steppes, influencing Chinese history to a major degree. The paper specifically concentrates on a timeframe surrounding the Warring States Period (c. 500- 221 BCE), during which a couple of key innovations can be shown to have been adopted from the steppes. Furthermore, it illustrates the impact of these innovations on historical developments within China, thereby reinforcing the argument that the role of the steppes in Chinese history was one of tremendous importance.
The numerous plastic approaches of form in the 20th century are characterized by creativity and innovation. Form, as expression of an artistic language, is the cause and effect for the cultural evolution of a particular spatial-temporal area. The invention of forms depending on the factors which will impose them in a particular socio-cultural context and location environment is not everything. The challenges of the act of creation are far more complex. For the art of the 20th century, the role of the type of expression in visual or gestural language proved much more convincing and meaningful as to the data or phenomena occurring in immediate reality. The personality of the artist, his cultural character, his media coverage and exterior influences of his inner world, his preceding experiences and receiver’s contacts in a specific area are the factors that influence the relation between the work of art and the audience against a particular spatial-temporal background. The psychological and sensory processes in works of plastic art are spatially configured in structures, which leads to self-confession. The artist filters the information and the elements of exterior reality through the vision of his imagination and power of expression specific to his inner self, and turns them into values through the involvement of his state of mind. Constantin Brâncuşi is the sculptor whose role was considered exponential as he revolutionized modern artistic vision by integrating and creating space-form relations through symbol. Throughout his complex work - the Group of Monumental Sculptures of Tg. Jiu, the artist renewed the language of the sculpture-specific means of expression, though archaic forms, by restoring traditional art. Archetypes often make reference to the initial and ideal form and they represent the primitive and native models composing it. Form attracts, polarizes and integrates the energy of the matter outside the human body, and art acquires a unifying function for the senses of our spirit. We identify the forms developed by the junction between fantastic forms, the figments of the imagination of artists who communicate deep human meanings. They invite us in a world of constructive forms and mysteries, truly innovative and elaborate creations, by underlying different directions in the compositional space with symbolic value.
, Soo Bong and Roknuzzamn Siddiky. 2017. “Does Development Aid Work? Improving Aid Effectiveness in International Development Cooperation Efforts.” Bangladesh e-Journal of Sociology , 14 (2), pp. 120–142.
UN (United Nations). 2014. “South-South Development Cooperation.” UN Background Note , pp. 1–4.
UNCTAD (United Nations Conference on Trade and Development). 2014. “Transfer of Technology and Knowledge Sharing for Development: Science, Technology and Innovation Issues for Developing Countries.” UNCTAD Report , pp. 1–71.
UNCTAD (United Nations
Ausburn, L.J., Ausburn F.B. (2004). Desktop virtual reality: a powerful new technology for teaching and research in industrial teacher education. Journal of Industrial Teacher Education, 41 (4), pp. 33-58.
Cachia R., Ferrari, A., Ala-Mutka K. M., Punie, Y. (2010). Creative Learning and Innovative Teaching: Final Report on the Study on Creativity and Innovation in Education in the EU Member States. Publications Office of the European Union. http://dx.doi.org/10.2791/52913
Drucker, P. (2002, August
Hartley, John; Potts, Jason 2014. Cultural Science: A Natural History of Stories, Demes, Knowledge and Innovation. London: Bloomsbury.
Ibrus , Indrek 2012. ‘The AV Industry’s Microcompanies Encounter Multiplatform Production’. - Indrek Ibrus, Carlos A. Scolari (eds.), Crossmedia Innovations: Texts, Markets, Institutions. Frankfurt: Peter Lang, 219-242.
Ibrus , Indrek 2015a. ‘Kultuur visualiseerub ja rikastub’. - Raivo Vetik (ed.), Eesti inimarengu aruanne 2014/2015. Tallinn: Eesti Koostöö Kogu, 222
Anheier H., Korreck S. (2013), Governance Innovations. Hertie School of Governance. Th e Governance Report 2013. Oxford: Oxford University Press, 83-116.
Beach D., Pedersen R.B. (2013). Process-Tracing Methods: Foundations and Guidelines. Michigan: University of Michigan Press.
Collier D. (2011). ‘Understanding Process Tracing’. PS: Political Science and Politics. Vol. 44, No. 4, 823-830.
Dane A.V., Schneider B.H. (1998). ‘Program integrity in primary and early secondary prevention
We can say that the Europidian Greek tragedy situated at the outset man to extreme limits, on the border where the divine begins. Any tragedy signifies and stimulates the energy of the hero to surpass himself through an incredible act of courage, to give a new measure of his greatness in the face of obstacles, to the unknown he meets in the world and in the society of his time. The tragedy shows us that in the very fact of human existence there is a challenge, or a paradox, it tells us that sometimes the aspirations of man come into conflict with the forces of the unexplained and destructive, which is beyond and yet very close to us. The poet and philosopher Euripides turns out to be a great humanist, he loves and sympathizes with the people, suggesting that by birth we are all equal.