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Euripides – Dramatic Concept, Innovation and Style

Abstract

We can say that the Europidian Greek tragedy situated at the outset man to extreme limits, on the border where the divine begins. Any tragedy signifies and stimulates the energy of the hero to surpass himself through an incredible act of courage, to give a new measure of his greatness in the face of obstacles, to the unknown he meets in the world and in the society of his time. The tragedy shows us that in the very fact of human existence there is a challenge, or a paradox, it tells us that sometimes the aspirations of man come into conflict with the forces of the unexplained and destructive, which is beyond and yet very close to us. The poet and philosopher Euripides turns out to be a great humanist, he loves and sympathizes with the people, suggesting that by birth we are all equal.

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Artistic Creativity and Creative Imagination - Original Components in the Contemporary Performing Arts. Interferences and New Approaches

Abstract

The contemporary human is in an eternal transformation, in an unending metamorphosis, he or she projects his/her life and his/her own image in countless fictitious games, plays roles in imagined situations. He/she, though using false conscious representations, will obtain the right results because he/she operates with his/her creations or fictions as if they were real realities. This is social creativity. If all these are real-life defence elements, fireworks that help the individual to anticipate certain situations, to figure the effects of certain volitional impulses, to communicate and to act freely within the scenic arts, the artistic creativity involves a paradoxical relationship between creative freedom and rigorous laws. Artistic creativity is part of the artist/actor’s ability to produce ideas, new and original solutions, appropriate to the given problems and circumstances, being a first step in the innovation process. Thus, both creative imagination and artistic creativity become original components in the creation process and implicitly in the contemporary performing arts.

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From Dramatic Text to Visual Dramaturgy

. Steiner, George, După Babel. Aspecte ale limbii şi traducerii, Univers, Bucharest, 1983. Steiner, George, După Babel. Théâtralité(s). Tradition et innovation , collective edition, Editions Philippe Picquier, Strasbourg, 2015. Webography: http://www.alepreuve.org https://www.uniter.ro/radu-afrim-nu-am-nostalgia-anilor-de-inceput/ https://www.persee.fr/doc/comm

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The Metamorphosis of Performing Arts

Review , 20:2, 185-196, 2010. Bota, Aura şi Cristina Lăutaru, Tendințe contemporane în coregrafie , Future Academy, 5 th International Congress of Physical Education, Sports and Kinetotherapy, 2015. Faludi, Julianna, “Open innovation in the performing arts”, in Corvinus Journal of Sociology , 2015. Lisovetc I.M., Education in the Context of the Performative Trends in Modern Culture , Conference paper, Facets of Culture in the Age of Social Transition Proceedings of the All-Russian Research Conference with International Participation Volume, 2018

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