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One of the major functions newspapers have is that of (re)presenting reality for their readers and thus explain events and promote specific values; newspapers are multimodal texts, which resort both to language and images to convey their message. The paper analyses a British and a North American newspaper article and has two aims. Firstly, to investigate the strategies used by journalists to represent immigrants in a positive way and, secondly, to draw a comparative analysis between the articles in terms of these strategies. The theoretical part defines the concept of racism and the ways in which it is nowadays expressed and lists some of the strategies that are frequently used to present immigrants (such as topic, referential strategies, intensifying, extensivization, victimization, personalization, voices heard, argumentation, etc.) with the use of pictures. The second part identifies strategies used in these two articles. The conclusions present a comparison between them in terms of similarities (values upheld, type of argumentation) and differences (intensification and nomination strategies, quotation patterns).
The paper analyzes Ivo Andrić’s novel The Damned Yard, a work that has received continuous critical attention since its publication. Its interpretation presents a challenge even to the latest schools of literary theory. With a focus on the poetics of space, the argument applies Michel Foucault’s theory and discusses the roles heterotopias play in structuring the narrative. Heterotopias reveal the attributes of real and metaphoric spaces, while the dynamics of space influence the movements of narration in the novel. Reproducing diverse forms of deviance, heterotopia delineates the frame of the individual’s identity. The conclusion suggests that the text’s complex metaphysical web of meanings is produced by the deranged identity appearing in a closed space, and the correspondingly deranged narration.
This article examines two short stories: Teréz Müller’s Igaz történet [A True Story] and József Bálint senior’s Imádkozzál és dolgozzál [Pray and Work]. The argument explores the way the texts reflect on shifts in power in the Hungarian region of Vojvodina, and the way power structures define the relationship between majority and minority in a society that undergoes constant and radical changes. Contemporary historical events of the twentieth century, changes, faultlines, traumatic life events and identity shifts emerge as the contexts for these narratives of the daily experiences of a Jewish merchant family and a farmer family respectively. Thus, the two texts analysed are representative works rooted in two fundamentally different social backgrounds. The discourse about the I is always also about the other; the construction of identity is already in itself a dialogic, intercultural act, which makes it an ideal topic for the exploration of the changes and shifts in one’s own and the other’s cultural identity. Translational processes of transmission are also required for the narration of traumatic experiences. Teréz Müller was the grandmother of the Serbian writer Aleksandar Tišma. Her book is not primarily a document of their relationship; however, it does throw light on diverse background events of the writer’s life and oeuvre. Comparing the experiences of identity in the autobiographical novel of Aleksandar Tišma and the recollections of his grandmother reveals geocultural characteristics of their intercultural life experiences.
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