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Multiple Revolutions. Remediating and Re-enacting the Romanian Events of 1989

1 This work was supported by the project entitled Space-ing Otherness. Cultural Images of Space, Contact Zones in Contemporary Hungarian and Romanian Film and Literature (OTKA NN 112700) and by the János Bolyai Research Scholarship of the Hungarian Academy of Sciences. References Agamben, Giorgio. 2000. Marginal Notes on Commentaries on the Society of the Spectacle. In Means without End. Notes on Politics (Theory Out of Bounds) , 73–89. Minneapolis–London: University of Minnesota Press. Agnew, Vanessa. 2004. Introduction: What is Reenactment

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Looking West: Understanding Socio-Political Allegories and Art References in Contemporary Romanian Cinema

1 This work was supported by a grant of the Romanian Ministry of National Education, CNCS – UEFISCDI, project number PN-II-ID-PCE-2012-4-0573. References Bachelard, Gaston. 1961. Poétique de l’espace . Paris: Presses Universitaires de France. Bhabha, Homi. 1994. Of Mimicri and Man. The Ambivalence of Colonial Discourse. In The Location of Culture , 85–93. London: Routledge. Boia, Lucian. 2012. De ce este România altfel? [ Why is Romania Different? ] Bucureşti: Humanitas. Deleuze, Gilles. 2004. Francis Bacon: The Logic of

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Magic Realism, Minimalist Realism and the Figuration of the Tableau in Contemporary Hungarian and Romanian Cinema

1 This work was supported by a grant of the Romanian Ministry of National Education, CNCS – UEFISCDI, project number PN-II-ID-PCE-2012-4-0573. References Augé, Marc. 1995. Non-Places: Introduction to an Anthropology of Supermodernity . London and New York: Verso. Bényei, Tamás. 1997. Apokrif iratok. Mágikus realista regényekről . [ Apocriphal Documents. On Magic Realist Novels .] Debrecen: Kossuth University Press. Bolter, Jay David and Richard Grusin. 1999. Remediation. Understanding New Media . Cambridge, Massachusetts and London: The

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Blur

Abstract

Keynote talk given at the conference Intermediality Now: Remapping In-Betweenness, organized at Sapientia Hungarian University of Transylvania, in Cluj-Napoca, Romania, between 19–20 October 2018, within the framework of the exploratory research project PN-III-ID-PCE-2016-0418, funded by the UEFISCDI (Executive Unit for Financing Higher Education, Research, Development and Innovation).

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Acta Universitatis Sapientiae, Film and Media Studies
The Journal of Sapientia Hungarian University of Transylvania
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History, Cultural Memory and Intermediality in Radu Jude’s Aferim!

1 This work was supported by a grant of the Romanian Ministry of National Education, CNCS – UEFISCDI, project number PN-II-ID-PCE-2012-4-0573. References Achim, Viorel. 2004. The Roma in Romanian History . Budapest: Central European University Press. Assmann, Jan. 2008. Communicative and Cultural Memory. In Cultural Memory Studies. An International and Interdisciplinary Handbook , eds. Astrid Erll and Ansgar Nünning, 109–118. Berlin and New York: Walter de Gruyter. Bolter, Jay David and Richard Grusin. 1999. Remediation. Understanding

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The Revolution Will Be Performed. Cameras and Mass Protests in the Perspective of Contemporary Art

Richard Grasin. 1999. Remediation. Understanding New Media. Cambridge. Massachusetts: MIT Press. Butler. Judith. 1993. Bodies That Matter. On the Discursive Limits of “Sex.” New York: Routledge. Campeanu. Pavel. 1993. Romanian Television: From Image to History. In National Identity and Europe. The Tele\ision Revolution, eds. Drummond. Philippe. Janet Willis and Richard Paterson, 110-116. London: British Film Institute. Cramerotti. Alfredo. 2009. Aesthetic Journalism: How to Inform Without Informing. Bristol and Chicago

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Between Absorption, Abstraction and Exhibition: Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson and Joanna Hogg

University Press, Lieven Gevaert Series. Peucker, Brigitte. 2007. The Matériái Image. Art and the Reál in Film. Stanford: Stanford University Press. Pop. Doru. 2014. Románián New Wave Cinema. An Introduction. Jefferson, North Carolina: McFarland & Company, Inc. Publishers. Rice, Charles. 2007. Emergence of the Interior: Architecture, Modernity, Domesticity. New York: Routledge. Stoichita, Victor I. 1997. The Self-Aware Image: An Insight intő Early Modern Meta-Painting. Cambridge: Cambridge University Press

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Thinking Like a Carpet: Embodied Perception and Individuation in Algorithmic Media

Abstract

Keynote talk given at the “Cinema of Sensations” International Conference organized by the Sapientia Hungarian University of Transylvania, in Cluj-Napoca, Romania, between the 25th and 27th of May, 2012. (The photos of Laura Marks illustrating the article were taken by Dorel Găină, and are reproduced here with the permission of the artist.)

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Seeing to Believe – Sensing to Know From Film Form to Perceptual Environment

Abstract

Keynote talk given at the “Cinema of Sensations” International Conference organized by the Sapientia Hungarian University of Transylvania, in Cluj-Napoca, Romania, between the 25th and 27th of May, 2012. (The photos of Yvonne Spielmann illustrating the article were taken by Ágnes Pethő and Ferenc Boné, and are reproduced here with their permission.)

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