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Death and Violence in Contemporary Theatre, Drama, and Novel (Oliver Frljić, Anja Hilling, Simona Semenič, and G. W. Sebald)

Summary

For the purpose of my examination of how literature and art take part in the circulation of significations and representations in the construction of social reality, I concentrate on a specific feature that links and unites the work of four contemporary European authors—the inflation of death and violence, or the “overflow of corpses” in their novels, plays, and performances. My first example will be Bosnian-Croatian theatre director Oliver Frljić, his disturbing, shocking performances in which he uses his own personal, wartime, and political traumas to ask universal questions about the boundaries of artistic and social freedom, individual and collective responsibility, tolerance and stereotypes. As the second and third example I will take plays by two (no longer) dramatic writers, Anja Hilling and Simona Semenič—two outstanding representatives of German and Slovene (no longer) dramatic theatre and drama, exploring in their texts a tension between repetition and representation in which the first mechanism undermines and challenges the second and produces a specific poetic or aesthetic device—an effect of ostranenie or defamiliarisation (Shklovsky). The third example will consist of the novels by Winfried Georg Sebald, in which the German author uses the device of his wanderings between signs, punctuated by black and white photographs, producing a specific emblematic of a mutation of space and time, in which history and geography cross-fertilise, tracing out paths and weaving networks. Besides examining the contestation of subject positions, I concentrate on the dialectics of art and society, where fluid, uncontainable subjects are constantly pushing the contours. Revising the critical consensus that contemporary art primarily engages with the real, the essay describes how theatre and fiction today navigate the complexities of the discourse as well as social realities; how the discussed artists all share the belief that creative expression must also be destruction. Art has to go beyond what we are and what we can identify through understanding. Thus, art negotiates, inflects discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global uncertainties.

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M. K. Čiurlionis and St. Petersburg: New Facts Concerning His Painting Black Sun

). 1980: 501–543. Taruskin, Richard. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra, 2 vols. Berkeley: University of California Press, 1996. Van den Toorn, P. C. Stravinsky and the Rite of spring: The beginnings of a musical language . Berkeley: University of California Press, 1987. Van den Toorn, Pieter C., & John McGinness. Stravinsky and the Russian Period: Sound and Legacy of a Musical Idiom . Cambridge: Cambridge University Press, 2012. Walsh, Stephen. Igor Stravinsky: a creative spring: Russia and France

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‘The Cake is (Not) a Lie:’ Intertextuality as a Form of Play in Digital Games

Works Cited Allen, Graham. Intertextuality: The New Critical Idiom . London: Routledge, 2000. Print. Atwood, Margaret. “Margaret Atwood: The Road to Ustopia.” The Guardian 14 Oct. 2011. Web. 3 Oct. 2018. Bakhtin, Mikhail. Marxism and the Philosophy of Language . Cambridge, MA: Harvard UP, 1986. Print. Bakhtin, Mikhail. Problems of Dostoyevsky’s Poetics . Minneapolis, MN: Minnesota UP, 1984. Print. Barthes, Roland. Image – Music – Text . London: Fontana, 1977. Print. Girardeau, Christopher. “Hold On Just a Little While

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The Comoros: a confluence of board game histories

Association , 29(2):74–78. [Selo, 2018] Selo, R. (2018). Le jeu de mraha wa tso. Extracted 1 august 2019 from http://ylangue.free.fr/mraha.htm . [Townshend, 1982] Townshend, P. (1982). Bao (mankala): The swahili ethic in african idiom. Paideuma , 28:175–191. [Townshend, 1986] Townshend, P. (1986). Games in culture: A contextual analysis of the Swahili board game and its relevance to variation in African mankala . PhD thesis, University of Cambridge. [Wieber, 1972] Wieber, R. (1972). Das Schachspiel in der arabischen Literatur von den Anfängen bis

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Inclusiveness of Urban Land Administration in the City of Lusaka, Zambia

World”, Cape Town, 26-28 June. Rakodi C. 2008 Order and disorder in African Cities: The social roots and contemporary outcomes of approaches to governance and land management Paper presented to the UNU-WIDER Project Workshop “Beyond the Tipping Point: Development in an Urban World” Cape Town 26-28 June Roy, A. (2009). Why India cannot plan its cities: Informality, insurgence and the idiom of urbanization. Planning Theory 8(1): 76–87. 10.1177/1473095208099299 Roy A. 2009 Why India cannot plan its cities: Informality, insurgence and the idiom

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