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Paweł Wołoszyn

References [1] Arora, S. (1998). Polynomial time approximation schemes for Euclidean traveling salesman and other geometric problems, Journal of the ACM, 45(5), 753-782 [2] Baraghimian, G.A. (1989). Connected component labeling using self-organizing feature maps, in Proceedings of the 13th Annual International Computer Software and Applications Conference, Orlando [3] Felzenszwalb, P.F., Huttenlocher, D.P. (2004). Efficient Graph-Based Image Segmentation, International Journal of Computer Vision, 59(2), 167

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Elisabeth Kovtiak

to erase memories of the Soviet Union as a crucial chapter in the history of Georgia and on the other hand, to reproduce the demonized image of that period by focusing mainly on violence and victims of the regime. During the Rose Revolution and few years after it, Georgian media supported the opposition and shared clearly anti-Russian and anti-Soviet ideas. However later, they started to present more broad coverage of political positions, trying to keep neutrality between pro-Western and pro-Russian views. Printed media is quite diverse in Georgia, and their

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A. Lazarov and C. Minchev

. - In: Proc. of Int. Conf. on Radar, 2008, pp. 27-31. 4. Zeljkovic, V., Q. Li, R. Vincelette, C. Tameze., F. Liu. Automatic Algorithm for Inverse Synthetic Aperture Radar Images Recognition and Classification. - IET Radar, Sonar & Navig., Vol. 4, 2010, No 1, pp. 96-109. 5. Park, S.-H. Automatic Recognition of ISAR Images of Multiple Targets and ATR Results. - Progress in Electromagnetics Research, 2014, No 61, pp. 43-54. 6. Zeljkovic, V. Algorithms for ISAR Image Recognition and Classification. - Proc. of IGI Global

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Postmemory, Stereotype and the Return Home

Rewriting Pre-Existing Narratives in Sofi Oksanen’s Purge

Anna Estera Mrozewicz

References Ahmed, S. (2000). Strange Encounters. Embodied Others in Post-Coloniality. London and New York: Routledge. Anderson, B. (2006). Imagined Communities. Reflections on the Origin and Spread of Nationalism. London, New York: Verso. Assmann, J. (2008). Communicative and Cultural Memory. In: A. Erll, A. Nünning (eds.), Cultural Memory Studies. An International and Interdisciplinary Handbook (pp. 109-118). Berlin, New York: de Gruyter. Brown, W. (et al.). (2010). Moving People, Moving Images

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M. Nowak, Z. Nowak, R.B. Pęcherski, M. Potoczek and R.E. Śliwa

References [1] M. Potoczek, Gelcasting of alumina foams using agarose solutions, Ceramics International 34, 661-667 (2008). [2] N. Michailidis, F. Stergioudi, H. Omar, D. Tsi- pas, FEMmodeling of the response of porous Al in compression, Computational Materials Science 48, 282-286 (2010). [3] M. Panico, L.C. Brinso n, Computational modeling of porous shape memory alloys, International Journal of Solids and Structures 45, 5613-5626 (2008). [4] M. Wicklein, K. Thom a, Numerical

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Po-Ming Lee and Tzu-Chien Hsiao

. 28: p. 627-651. [16] Antonio R, D., Emotion in the perspective of an integrated nervous system. Brain Research Reviews, 1998. 26(2-3): p. 83-86. [17] Bechara, A., The role of emotion in decisionmaking: Evidence from neurological patients with orbitofrontal damage. Brain and cognition, 2004. 55(1): p. 30-40. [18] LaBar, K.S. and R. Cabeza, Cognitive neuroscience of emotional memory. Nat Rev Neurosci, 2006. 7(1): p. 54-64. [19] Wu, Q., C. Zhou, and C. Wang, Content-Based Affective Image Classification and Retrieval Using Support Vector

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Judit Pieldner

: Polirom. First edition: 2007, Humanitas. Pop, Dora. 2010. The Grammar of the New Romanian Cinema. Acta Universitatis Sapientiae, Film and Media Studies vol. 3: 19-40. <http://www.acta.sapientia.ro/acta-film/C3/film3-2.pdf Részeg Imola. 2011. Múlt, történelem és emlékezés a kortárs román filmben. [Past, History and Memory in Contemporary Romanian Cinema.] In Kapcsolatok, képek. Imagológiai tanulmányok. [Connections, Images. Imagology Studies.], eds. Levente Pap and Zsuzsa Tapodi, 207-223. Miercurea Ciuc: Status. Strausz

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Steffen Hven

: Bantam. Renner, Karen. 2006. Repeat Viewings Revisited: Emotions, Memory, and Memento. Film Studies vol. 8: 106-115. Shaviro, Steven. 1993. The Cinematic Body. Minneapolis and London: University of Minnesota Press. Sierek, Karl. 2007. Foto, Kino und Computer. Aby Warburg als Medientheoretiker. Hamburg: Philo Fine Arts. Sinnerbrink. Robert. 2011. New Philosophies of Film: Thinking Images. London and New York: Continuum. Sobchack, Vivian Carol. 1992. The Address of the Eye: A Phenomenology of

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Stan Franklin, Steve Strain, Ryan McCall and Bernard Baars

). A Cognitive Theory of Consciousness . Cambridge: Cambridge University Press. Baars, Bernard J. (2002). The conscious access hypothesis: origins and recent evidence. Trends in Cognitive Science, 6 , 47-52. Baars, Bernard J., & Franklin, S. (2003). How conscious experience and working memory interact. Trends in Cognitive Science, 7 , 166-172. Bach, J. (2008). Seven principles of synthetic intelligence. In P. Wang, G. Goertzel & S. Franklin (Eds.), Artif icial General Intelligence 2008: Proceedings of the First AGI

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Jarmo Valkola

. Christopher King. London: Athlone Press. Nora, Pierre 1996. Realms of Memory: Rethinking the French Past. Trans. Arthur Goldhammer, ed. Lawrence D. Kritzman. New York: Columbia University Press. Pallasmaa, Juhani 2005. ‘Spaces of Melancholy and Hope: The Logic of Place and Image in the Films of Aki Kaurismäki’. - Arkkitehti 5, 22-33. Perkins, D. N. 1981. The Mind’s Best Work. Cambridge: Harvard University Press. Persson, Per 2003. Understanding Cinema: A Psychological Theory of Moving Imagery. Cambridge