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1 I would like to kindly acknowledge that the research for this paper was supported by a grant of the National Science Centre, Poland, project number 2014/13/B/H52/00488, “Embodied sites of memory? Investigations into the definitions and representations of old age and ageing in English drama between 1660 and 1750”. I would also like to thank the two anonymous reviewers for their insightful comments and advice on the paper.
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