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:// (14 August 2017). Azcona, Maria del Mar 2005. ‘Making Sense of a Multi-Protagonist Film: Audience Response Research and Robert Altman’s Short Cuts (1993)’. - Miscelánea: A Journal of English and American Studies 32, 11-22. Azcona, Maria del Mar 2008. ‘Love Is a Many-Person’d Thing: Multi-Protagonist Tales of Contemporary Desire’. - Bells: Barcelona English Language and Literature Studies 17, 1-13. Azcona, Maria del Mar 2010. The Multi-Protagonist Film. Malden, Oxford, Chichester: Wiley-Blackwell. Beal, Wesley 2009. ‘Theorising Connectivity: The Form and Ideology of

, Olga 2013. Soviet Youth Films under Brezhnev: Watching Between the Lines. PhD thesis. University of Pittsburgh. Klimova_ETD_2013.pdf (1 October 2017). Klots, Anatoliy n.d. ‘Depicting the Trickster: Soviet Animation and Russian Folktales’. (1 October 2017). Krikmann, Arvo 2002. ‘Sissejuhatavat huumorist ja rahvanaljast: ained, mõisted, teooriad’. - Keel ja Kirjandus 12, 833-847. Lombardi-Satriani, Luigi 1974. ‘Folklore as Culture of Contestation

References Ahmed, Sara 2004. The Cultural Politics of Emotion. New York: Taylor & Francis Group. Alexander, Jeffrey C. 2004. ‘Toward a Theory of Cultural Trauma’. - Jeffrey C. Alexander (ed.), Cultural Trauma and Collective Identity. Berkeley: University of California Press, 1-30. Benedek, Márton 2011. ‘I Wanted to Tear Those Stereotypes Apart. An Interview with Sofi Oksanen’. - Hungarian Literature Online, 7 May. (20 April 2014). Borenstein, Eliot 2006. ‘Selling Russia: Prostitution, Masculinity

References Agamben, Giorgio 1998. Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel Heller-Roazen. Stanford: Stanford University Press. Berghahn, Daniela; Sternberg, Claudia (eds.) 2010. European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe. Basingstoke, New York: Palgrave Macmillan. Beumers, Birgit 1999. ‘Cinemarket, or the Russian Film Industry in “Mission Possible”’. - Europe-Asia Studies, 51, 5, 871-896. Beumers, Birgit 2009. A History of Russian Cinema. Oxford, New York: Berg. Brown, William; Iordanova, Dina; Torchin, Leshu (eds

:// Zajonc, Robert B. 2001. ‘Mere Exposure: A Gateway to the Subliminal’. – Current Directions in Psychological Science , 10 , 224. Zimmerman, Steve 2010. Food in the Movies. Retrieved from (18 November 2019)

References Alexander, Alex E. 1973. Bylina and Fairy Tale: The Origins of Russian Heroic Poetry. Paris: Mouton. Alexander, Alex E. 1979. ‘Stephen King’s Carrie - A Universal Fairytale’. - Journal of Popular Culture XIII, 2, 282-288. Balina, Marina; Goscilo, Helena; Lipovetsky, Mark (eds.) 2005. Politicizing Magic: An Anthology of Russian and Soviet Fairy Tales. Evanston: Northwestern University Press. Базанова, В. (ed.) 1958. Былины. Том 2. Москва: Гос. изд. чуд ожесвенной литературу. Beumers, Birgit 2003. ‘Soviet and Russian Blockbusters: A Question of Genre

REFERENCES Ajanović, Midhat 2004. Animation and Realism . (13 March 2016). Amidi, Amid 2006. Cartoon Modern: Style and Design in Fifties Animation . San Francisco: Chronicle Books. Асенин, Сергей 1986. Мир мультфильма. Идеи и образы мультипликационного кино социалистических стран . Москва: Искусство. Bendazzi, Giannalberto 1994. Cartoons: One Hundred Years of Cinema Animation . London: John Libbey. Bendazzi, Giannalberto 2015. Animation: A World History. Volume I: Foundations

REFERENCES Aalberg Toril; van Aelst, Peter; Curran, James 2010. ‘Media Systems and the Political Information Environment: A Cross-National Comparison.’ – The International Journal of Press/Politics 15 (3), 255–271. Baltic Media Health Check 2017–2018, Barlow, John Perry 1996. A Declaration of the Independence of Cyberspace . Electronic Frontier Foundation. Born, Georgina; Prosser, Tony 2001. ‘Culture and Consumerism