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  • Author: Gelu Badea x
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Abstract

The last fifty years of theatre have put us closer to one of the most spectacular facts of this art: every generation of theatre makers managed – we do not know if programmatically – to build its own repertoire based on its own reality. In other words, every new wave of stage directors claimed that the dramatic authors define a new formula for the stage text and the reverse. This new reality also acted on a revisiting of the classical text or of the modern text deemed classical.