Glückshaus is a relatively modern version of the larger family of Games of Seven (games played with two six-sided dice and a stake board with fields usually numbered 2-12, often with an emphasized 7.). This paper looks at various historical versions of the game and shows how the modern Glückshaus version and its pecularities (e.g. a missing field for the number 4) came about when the dice game was combined with a stake board for a card game
A large chess variant played on a 12x12 board was inadvertently created by G. H. Verney, author of Chess Eccentricities, who seriously misinterpreted one of his sources, A. van der Linde’s Quellenstudien zur Geschichte des Schachspiels. Despite its serendipitous origins, the game, for which the name Verney’s Duodecimal Chess seems appropriate, is surprisingly playable. A set of rules is suggested since those provided by Verney are incomplete.
Le wargame est un outil de réflexion qui emploie des techniques créatives pour stimuler l’imagination des historiens, des décideurs et des analystes dans un but d’identification d’opportunités et de menaces. Son objet est de permettre à ses joueurs de recréer des situations spécifiques et, plus important encore, d’être capable d’explorer ce qui aurait pu (approche historique) ou pourrait (approche prospective) se passer si le joueur décidait de faire les choses différemment.
Issu d’une tradition assez longue de tentatives d’adaptation du jeu d’échecs à la simulation de bataille, le wargame s’applique depuis plus de deux siècles à la modélisation d’affrontements militaires à des fins de formation et d’élaboration de nouvelles stratégies ou tactiques. Par la suite, son champ d’application s’est étendu, il y a un peu plus d’un siècle, à la réflexion historico-militaire et depuis une soixantaine d’années à l’aide à la décision stratégique concernant des affrontements concurrentiels et économiques. Selon les moyens disponibles et les contextes de leurs mises en œuvre, les wargames prennent désormais quatre formes différentes : jeux de rôles de type grandeur nature, simulations informatiques, modélisation à base de figurines (ou sandbox) et modélisation sur des cartes ou plateaux.
Nous nous intéresserons, dans le cadre de ce travail, spécifiquement aux cas des wargames sur cartes et plateaux (board wargames). Nous les aborderons d’abord en tant que moyen de compréhension d’une situation historique et militaire, puis en tant que transposition à des fins d’analyse stratégique concurrentielle. Nous commencerons par en décrire les contours historiques et fondamentaux pratiques. Puis, nous montrerons comment le formateur peut adapter ou concevoir le “jeu” selon la situation qu’il doit modéliser ainsi qu’au public auquel il est destiné. Nous discuterons ainsi de la conception d’un wargame en fonction des objectifs visés, du développement du prototype et de la phase de tests en tant que première confrontation au public ciblé par le formateur. Nous présenterons aussi comment, la modélisation d’un wargame est transposable à la modélisation d’un marché. Au-delà de l’aspect ludique et des objectifs du jeu, nous montrerons comment les participants peuvent prendre part à sa conception. De cette manière, nous aborderons la réflexion autour de la conception du jeu qui, bien menée, permet d’appréhender dans son entier un environnement concurrentiel et ses acteurs et d’en comprendre tous ses mécanismes et ses enjeux.
Besides the ubiquitous patolli—a race game played on a cruciform gameboard—the Aztecs had obviously a few other board games. Unfortunately their names have not been recorded. We owe to Diego Durán, writing in the last quarter of the 16th century from local sources, some hints of what appears to be a “war game” and a second, different race game that he calls ‘fortuna’. A close examination of some Precolumbian codices shows a rectangular design with a chequered border, together with beans and gamepieces, which has correctly been interpreted as a board game. Many similar diagrams can be seen carved on stone in temples and public places, from Teotihuacan (c. 4th-7th century AD) to late Toltec times (9th-12th century AD). Of this game too we do not know the name. It has tentatively been called quauhpatolli (“eagle- or wooden-patolli”) by Christian Duverger (1978)—although this seems to have been the classic post-conquest Nahuatl name for the game of chess—or “proto-patolli”, and more concretely “rectángulo de cintas” (rectangle of bands) by William Swezey and Bente Bittman (1983).
The lack of any representation of this game in all Postcolumbian codices, as painted by Aztec artists commissioned by Spanish scholars interested in the Aztec culture, is clear indication that the game had disappeared before the Spanish conquest, at least in central Mexico. No Aztec site shows any such gameboard. Fortunately this game had survived until the 20th (and 21st!) century but located in the Tarascan country, now the state of Michoacán. It was discovered, unchanged, in a Tarascan (Purepecha) village by Ralph L. Beals and Pedro Carrasco, who published their find in 1944. At that time Beals and Carrasco had no idea the game was attested in early codices and Teotihuacan to Maya and Toltec archaeological sites. In Purepecha the game is called k’uillichi.
There is evidence of an evolution that led to a simplification of the game: less tracks, less gamesmen (in fact only one per player, while k’uillichi has four), and less ‘dice’. From a “complex” race game, the new debased version turned to be a simple single-track race game with no strategy at all. It is possible that this process took place in Michoacán. (A few examples of the simplified game were found in some Tarascan villages.) Also it seems the widespread use of the Nahua language, which the Spanish promoted, led to calling the game, and/or its dice, patol. As it was, patol proved to be very appealing and became very popular in the Mexican West, finally reaching the Noroeste, that is, the present North-West of Mexico and Southwest of the United States.
This seems to have been a recent trend, since its progress was observed with much detail by missionaries living in close contact with the Indians along what was called the ‘Camino Real’, the long highway that led from western Mexico to what is now New Mexico in the U.S. The Spanish themselves seem to have helped the game in its diffusion, unaware of its presence. It is clearly with the Spaniards that the patol game, sometimes also called quince (fifteen), reached the American Southwest and settled in the Pueblo and the Zuñi countries.
It is there that some newcomers, coming from the North or from the Great Plains, and getting in contact with the Pueblos in the 18th century, found the game and took it over. The Kiowas and Kiowa Apaches are noted for their zohn ahl (or tsoñä) game, while the Arapahos call it ne’bäku’thana. A careful examination of zohn ahl shows that it has kept the basic features of an ancient game that came—in Spanish times—from Mexico and may have been popular in Teotihuacan times. Its spread northward—through the Tarascan country—is, hopefully, well documented.
Playing of sedentary games with dice and playing board games have had a major role in the Indian culture since at least 3000 BCE. This is shown by archaeological sites and early literary references in the Rig-Veda, Mahabharata and other texts. Some of these games have survived in the form of boards, game pieces, dice and cards. Apart from actual sets, the traces of board games can also be found in Hindu rock cut temples. These sculptures and paintings appear across the medieval period. The list is exhaustive. The game play also finds its presence on numerous temple floorings, carved or inscribed. Why would somebody carve these board games on these spaces? Interestingly, throughout history, some board games have increased its popularity, and some have disappeared from artistic expressional record. How did one board game overtake the other in terms of its popularity in the later phases of history? What made these games socially acceptable and popular? Where were these games played? What was the space context? The paintings dominantly show royal houses, court rooms as spaces. Were there special pavilions used for game playing by Indian royals? In India board games were traditionally played at ground level. With growing European influence in the subcontinent in the 18th century, local elites adopted the western custom of elevated furniture for board games. Did this change the space context?
The paper thus tries to evolve parameters to analyze the impact of board games on spaces and would throw light on the “space context” with reference to Indian board games tracing it to the contemporary time.
The American Museum of Natural History (amnh) has three mancala game boards in their collection that are connected with Suriname, formerly Dutch Guyana. One of these samples is exhibited in the amnh African Peoples Hall as part of a section on African Slavery and Diaspora. The games of Suriname were described by Melville J. Herskovits in an article dating to 1929, but the relation of these three boards with Herskovits has remained unclear. With the help of the Herskovits archives, the archival records of amnh and recent research on Surinamese Maroon communities, the history of these three boards is shown to be intimately linked with Herskovits’ broader intellectual project.