Germany is considered a relatively recent country where multiraciality has become a recognised phenomenon. Yet, Germany still considers itself a monoracial state, one where whiteness is conflated with “Germanness”. Based on interviews with seven people who are multiracial (mostly Korean–German) in Berlin, this article explores how the participants construct their multiracial identities. My findings show that participants strategically locate their identity as diasporic to circumvent racial “othering”. They utilise diasporic resources or the “raw materials” of diasporic consciousness in order to construct their multiracial identities and challenge racism and the expectations of racial and ethnic authenticity. I explored how multiracial experiences offer a different way of thinking about the actual doing and performing of diaspora.
The contemporary diasporic experience is fragmented and contradictory, and the notion of ‘home’ increasingly blurry. In response to these moving circumstances, many diaspora and multiculturalism studies’ scholars have turned to the everyday, focussing on the local particularities of the diasporic experience. Using the Italo-Australian digital storytelling collection Racconti: La Voce del Popolo, this paper argues that, while crucial, the everyday experience of diaspora always needs to be read in relation to broader, dislocated contexts. Indeed, to draw on Grant Farred (2009), the experience of diaspora must be read both in relation to—but always ‘out of’—context. Reading diaspora in this way helps reveal aspects of diasporic life that have the potential to productively disrupt dominant assimilationist discourses of multiculturalism that continue to dominate. This kind of re-reading is pertinent in colonial nations like Australia, whose multiculturalism rhetoric continues to echo normative whiteness.
Virginia Woolf and Karel Čapek produced direct responses to the British Empire Exhibition in the forms of – in Woolf’s case – a scathing essay entitled ‘Thunder at Wembley’ and – in Čapek’s case – a (P)OstModernist travelogue later published as part of ‘Letters from England’ translated into English in 1925 and banned by the Nazis as well as the Communists. This research paper juxtaposes modernity in Central Europe with its ‘Other’ – that in Western Europe – by exploring Woolf and Čapek’s durée réelle between 1910 and 1924. It offers an analysis of Karel Čapek’s (P)OstModern legacies, placing Prague right on the modernist centre stage. The socio-political contribution of Central European regional modernism in Čapek’s work is increasingly vital to the contemporary Europe of Brexit and refugee and migrant crises, and beyond.
The basis of the connection between analytic philosophy and architecture theory was developed in the interwar period. The results of analytic philosophy – especially the neo-positivism of Vienna Circle – and modern, functionalist architecture theory were utilized in an interdisciplinary approach. The comparison was based on language puzzles, science-based building processes, the method of justification and verification, and designing an artificial language in order to express the theoretical (philosophical) and the practical (architectural) approach as well. The functionality was based on the modern way of architectural thinking that relied on the results of Carnapian neo-positivism. Interpreting modern architecture is possible by referring to the keywords of logical positivism: empiricism, logic, verification, unity of language, and science.
In my paper, I first list the bases of the comparison between the philosophy of the Vienna Circle and the architecture theory of the interwar period – the Bauhaus and Le Corbusier. In the 2nd and 3rd sections, I show the dialectical succession between form and function. After that, I discuss the aesthetic verification of the turn of the century and the scientific justification of the interwar period. I focus on the interwar period with the positivist approach and the theory of the ‘new architecture’. I emphasize the importance of the language of science and the machine paradigm – in contrast to historicism.
The Constitutional Crisis, which started in 2015 and has resulted in several bills aiming to “repair” the functioning of this institution, has undermined Polish citizens’ trust not only in political institutions such as the Sejm and the President but also in the judiciary. The level of trust in public institutions in general tends to be low in Polish society, but recent events and the circumstances in which the bills regarding the Constitutional Tribunal, common courts, the National Council of the Judiciary and the Supreme Court were passed, has led to a politicization of judicial institutions. Society, though, is very divided and opinions of the judiciary may vary and may depend on political preferences as well as many other factors.
The aim of this paper is to examine the attitude of Polish society towards the judiciary in the period of time from 2015 until now. I will also analyze the public campaign Just courts (Sprawiedliwe sądy) in the context of media content’s influence on public perception of the judiciary. The findings of this analysis could also contribute to the explanations of government’s ability to pass the bills with decreasing protest from the population even though the bills were deemed unconstitutional.
The contribution intends to present a framework as updated as possible on Azerbaijan, a country of which we are hearing more and more but not very well known and known to most, trying to provide an overview of what Azerbaijan is today, paying particular attention to the history of this interesting country in order to understand what it is today and even more what is the path taken for its future development. Therefore, some areas and aspects of the country have been identified, which will be, to follow, argued. Starting from the entirely geographical aspects to the more socio-cultural, then moving on to international relations and geopolitics and finally to the economic aspects.
The article aims to illustrate how Azerbaijan appeared in the eyes of an Italian who, in the first half of the nineteenth century, had the opportunity to visit it during a trip to Constantinople. Between 1841 and 1842, Felice De Vecchi, a wealthy Milanese passionate about painting and travel, embarked on a journey, together with his naturalist friend Gaetano Osculati, to Constantinople and then, through Persia, visited India. He kept a diary of that journey, only recently found in its almost totality, dedicating an entire chapter to Azerbaijan, the “land of fires”. From his account, rich in anthropological and pictorial notations, emerges a very well-defined sketch that does not hide the wonder of those who meet housing situations and customs far from their country of origin. In order not to lose the most emotional component contained in De Vecchi’s writing, the frequent quotations of passages from the diary are presented in the English translation, followed by the original text in nineteenth-century Italian.
The present paper intends to analyse the current urban situation of the city of Baku. Starting from its history and the vicissitudes that have seen the alternating city periods of splendour with gloomy moments, some of the great urban projects realised since the end of the 20th century and which are transforming the appearance of Baku are taken into consideration. Accomplice a new moment of splendour, favoured by the huge proceeds of the oil industry, the city of Baku is, in fact, revolutionising its appearance and its structure to become a new city of global importance, as it happened for Dubai.