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Joanna Smogorzewska

Abstract

This article presents the results of a comparison of two educational methods – the “Storyline” and the “Associations Pyramid” – in developing language creativity among children. The methods were compared in terms of effectiveness with two post-tests, directly after the end of the experiment and after the next three months. Moreover, the initial level of operational thinking (from the pre-test) was used in a regression model as an independent variable to observe whether it predicts results in the language creativity of children in both groups, in post-test 1. Eighty-three preschoolers took part in the experimental study. The two methods do not differ significantly from each other in effectiveness. Also, the level of operational thinking does not predict an overall level of language creativity either in the “Storyline” group or in the “Associations Pyramid” group. The results are discussed in the light of pedagogical practice.

Open access

Anna Milanowicz

Abstract

This paper presents an overview of chosen concepts of irony as a communicative unit in the repertoire of the speaker. It adopts a framework of narration with emphasis on how minds in interactions co-construct meanings. Irony, which means more than it says, is always used with a specific attitude attached. Irony is thus an act of narrating the speakers’ mind, but in the speaker-hearer meaning perspective.

Due to the fact that there is no narration without a text and no irony without narration, this paper links the Theory of Narrative Line and Narrative Field (Bokus, 1991, 1996, 1998) with a few selected views on the theory of irony (e.g., Clark and Gerrig, 1984; Sperber and Wilson, 1981, 1984) and research results. It also explains how the Cooperation Principle (Grice, 1975) is flouted and again recreated in the process of sharing meanings. Further, we refer to linguistic bias (Maass et al., 1989) and highlight perspective shifting in narration, which can change along the ‘narrative line’ and within the ‘narrative field.’

This paper builds a platform for combining the theories of irony with fields of narration. This perspective situates irony as a vehicle hinged in dialectics between the explicit and the implicit, the like and the dislike, the truth and the falsehood, the praise and the criticism. All of these can be read from irony.

Open access

Piotr Tomaszewski, Piotr Krzysztofiak and Ewelina Moroń

Abstract

The aim of this paper is to show shifts in the language development of deaf and hard of hearing children over the last 30 years. The paper presents an overview of Western and Polish studies on education and language development in deaf children in terms of psycholinguistics. Perceptions of the perceptual and cognitive capabilities of such children must be subject to revision and continual methodological reflection due to rapidly changing variables, such as technological progress, social and cultural conditions of primary socialization and the aims of deaf education. Now that an increasing number of deaf children undergo cochlear implantation, and digital hearing aids can provide 70-75 dB of gain, thus enabling the children to spontaneously develop speech, many of them function in a bimodal environment of the sign and the speech. However, they perform at different levels of educational and developmental success. This paper elucidates the issues of language flexibility in and heterogenization of children using hearing aids or implants on a daily basis.

Open access

Natalia Banasik-Jemielniak

Abstract

There has been little research conducted on the use of figurative language in parents' input provided by caregivers in child-directed speech during the first four years of the child's life. The aim of the described study was to check (a) how often ironic comments are present in child-directed speech when the interaction takes place between a mother and a child aged 4 and below and (b) what types of ironic comments children of this age are exposed to. In order to answer these questions, ironic utterances were identified in the videos of 50 hours of recordings that included mother-child interactions of five children aged 2;10‒3;05, available through the CHILDES ‒ Providence Data (Demuth, Culbertson, & Alter, 2006; MacWhinney, 2007). The extracts were then assessed by competent judges to make sure the identified instances met the criteria for verbal irony (Dynel, 2014). Results suggest that irony is present in the mother's language used while interacting with her child, with a significant number of comments where the child seems not to be the actual addressee of the message, but rather the overhearer. The ironic utterances identified during the interactions included mostly references to the child's behavior or being overwhelmed. The most common ironic markers present in these utterances were rhetorical questions and hyperboles.

Open access

Robert J. Sternberg

Abstract

Tests of creativity can meaningfully predict academic and other outcomes in schooling, over and above the prediction provided by standardized tests. However, for such prediction to occur, the tests must measure creativity in a meaningful way and success in school must in some way be linked to creative performance. We should change our tests and schooling to require the creativity that is so important for a world in which rapid change is the norm rather than the exception.

Open access

Agata Groyecka

Abstract

This commentary attempts to address the question of “Why creativity matters?” from the perspective of social psychology, by pointing out processes, which promote creativity while diminishing prejudices. I argue that through enhancing creativity, stereotyping can be reduced which can translate to the further improvement of intergroup relations. The common correlates of low prejudices and creativity supporting this hypothesis, are presented in this paper and comprise: (1) cognitive flexibility, (2) openness to experience and (3) perspective taking. Further, I invoke the existing literature regarding the link between schema-inconsistencies and creativity, which highlights the interrelatedness of these processes, but views creativity as an outcome, rather than a tool for social change. The assumed relationship can be seen as an opening to numerous future research paths, as it can give rise to various detailed questions from the points of view of basic and applied psychology.

Open access

James C. Kaufman

Abstract

There were four broad takeaways from the commentaries by the distinguished contributors. First, there was a caution on focusing too much on the positive outcomes. Second, there were several important considerations noted that can enrich the discussion. Third, people made a strong case for revisiting old outcomes with new methods and theories. Finally, there were suggestions for “new” positive outcomes that creativity may predict. I build on these and my own thoughts to offer an outline to cover a (hopefully expandable) list of potential outcomes. I end with a call for open commentaries to be considered for a future special section in this journal.

Open access

Emanuel Jauk and Natia Sordia

Abstract

Kaufman (2018) calls for a research agenda on outcomes of creativity. Despite its many conceivable positive consequences, we focus on narcissism as a potentially less socially desirable outcome of creative accomplishment in this commentary. Evidence from cross-sectional studies suggests a systematic link between different indicators of creativity and narcissism. We argue that - irrespective of methodological challenges associated with this research - it seems indeed plausible that creativity is associated with narcissism. The link is presumably strongest in individuals who engage in creativity for recognition motives. Narcissistic strivings might ignite creative endeavors, and positive social feedback for creative accomplishments might fuel narcissism. While more research needs to be done to understand the causal nature of the effects, the available evidence points to narcissism as a socially undesirable aspect of creativity which is not commonly discussed.

Open access

Baptiste Barbot

Abstract

In this brief commentary to Kaufman’s call for a “new agenda for positive outcomes” of creativity research, I emphasize how the broad construct of “identity” qualifies as such an outcome. While doing so, I challenge the issue of directionality (predictor vs. outcome) of creativity in relation to relevant correlates by outlining the influence of epistemological position and publication bias in directional interpretations of correlational findings. Through illustrations of various levels of relationships between creativity and identity, I also urge creativity researchers to be more explicit regarding how “generic” creativity is being operationalized in their study, so that more targeted hypotheses regarding the relationship between distinct aspects of creativity and such positive out-come variables may be formulated.

Open access

Ronald A. Beghetto and Maciej Karwowski

Abstract

How can creativity be encouraged in schools and what are the educational consequences of doing so? We address this question from a creative learning perspective. Specifically, we open by discussing how this question can be approached from at least two different perspectives: one that positions creativity and academic learning as competing goals and another that conceptualizes these goals as compatible. We discuss how a creative learning perspective helps to reframe this question and clarify the educational consequences of doing so. We close by briefly outlining five considerations for promoting favorable outcomes with respect to encouraging creativity in schools and classrooms.