The research is concerned with the phonotactic, morphotactic, graphic, logical, derivational, and syntactic features of clipped English slang neologisms coined in the early 21st century. The main preconceptions concerning clipping per se are revisited and critically rethought upon novel slang material. An innovative three-level taxonomy of clippings is outlined. The common and distinctive features of diverse types of clipping are identified and systemized.
The article focuses on revealing various manifestations of paradoxicality in contemporary American poetic discourse. It defines paradoxicality as a cognitive and discursive category realized in a dynamic semiotic unity of its content and form. A number of categorial foci structure the category. They are actualized to a different extent in contemporary American poetic discourse through paradoxical poetic forms, namely micro-, macro-, and megaparadoxical ones.
The paper addresses the concept of ‘death’ and the way it can be presented in the form of a semantic frame. Owing to a considerable diversity of approaches between various cultures and religions, the cognitive model illustrated in the present discussion depicts the European perspective. The analysis helps to establish the elements of the frame together with their lexical exponents employed in language, which are conditioned on the worldview adopted by a particular community.
The notion that the form of a word bears an arbitrary relation to its meaning accounts only partly for the attested relations between form and meaning in the world's languages. Recent research suggests a more textured view of syntactic and narrative structure in Amerindian prosaic texts, in which arbitrariness is complemented by iconicity (aspects of form resemble aspects of meaning) and systematicity (statistical regularities in forms predict function).
This article deals with polymorphous features of Gothic narratives seen as stories about supernatural events. Polymorphism reveals itself as a property of a narrative to be reinterpreted in the same medium or in different ones, and the main event is thus retranslated either authentically (in detail or in a reduced form) or with modifications of the form and content of the original. The article also suggests a classification of polymorphous Gothic narratives.
This paper presents a narrative-semiotic approach to the study of the processes and mechanisms of the 20th century French literary works. The complex methodology of the research is underpinned with the inter-paradigmatic methodological principle, according to which the narrative strategy of literary text production instantiates the author's individual narrative program of constructing narrative reality of a certain type, which is characterized by space-time continuity and stylistic figurativeness.
This paper focuses on metafictional narrative strategies characteristic of contemporary English-language fiction. The research reveals the variety and stylistic peculiarities of these strategies, as well as specifies the definition of metafiction with regard to its liminal status and self-reflexivity. Narrative metalepsis, specific framing and plot arrangements, metafictional commentary, and other techniques have been analyzed resorting to numerous examples.
I discuss three large issues relating to media language. (1) How does conceptual metaphor theory affect the way we see the conceptual system that characterizes the main participants of communication in the media? (2) How do conceptual metaphors structure the language (and thought) used by the media? (3) Is the metaphorical mind of the participants of media communication a “self-contained” mind immune to the influence of context or is it affected by it?
The article focuses on the notion of metapragmatics in general, including three steps of metapragmatic analysis, and studies academic written metadiscourse in particular. Special attention is drawn to the delimitation of the main types of metacommunicative means, or meta-means, with an emphasis on their functional specifics in academic written discourse. The article concludes with a list of meta-means, which are most typical of this discourse type.
The study investigates the transition mechanisms of religious ideologemes observed in their lexical representation in the Victorian novel corpus. The paper claims that the amalgamation of Anglo-Catholic and Evangelical ideologies made for the subsequent transformation of theological virtues resulting in their internalized translation to the rising ideology of emotionalist moral values.