This article evaluates Jewish-Christian difference in the constantly shifting terrain of thirteenth-century medieval England. It reframes this difference in relation to theories of embodiment, feminist materialism, and entanglement theory. To conceptualize how Jews can be marked by race vis-à-vis the body, the article uses the example of Christian Hebraists discussing the Hebrew alphabet and its place in thirteenth-century English bilingual manuscripts.
This article explores the past and present of the concepts of “sovereignty” and “autonomy” in Jewish nationalism. It revisits the play of-and interplay between-the two terms in the current moment of globalizations, when old truths about state sovereignty are being questioned. In particular, it highlights a number of new trends in the historiography of Jewish nationalism that lend prominence to autonomist or diasporist currents; at the same time, it suggests the potential utility of such currents in helping to understand long-standing political conflicts today.
S. H. Mosenthal’s blockbuster drama Deborah, popularized in the English-speaking world as Leah, The Forsaken, delivered generations of nineteenth-century theatergoers fantasies about Jewish women. This paper explores the rich performance history of this work, offering a new perspective on the role of popular culture in launching distinctly liberal forms of philosemitism.
This special section examines Isaac Wetzlar‘s Love Letter, a Yiddish proposal for the improvement of Jewish society, written in 1748/49 in Northern Germany. The articles concentrate on the links between Libes briv and the contours of German Pietism in order to initiate exploration of the complex relationship between Central European Judaism and eighteenth-century Pietism. This largely unrecognized arena of Jewish-Christian encounter is presented as a significant factor in a century that promoted modernity