The article addresses the issue of creation and functioning of each link in the communication chain addresser/sender-message-addressee/recipient in three communicative statuses: external, internal, and potential. Personal and transpersonal communication is analyzed. Semantic and functional features of academic vs literary communication are considered.
War presented in mass media as a piece of hard news has three spaces: military, economic, and informational. From a linguistic point of view, conflict has two constituents: CONFLICT-STATE and CONFLICT-ACTION. The variety of conflict is confrontation, which includes physical collision, armed opposition, verbal collision, collision of outlooks and interests. Each conflict or confrontation has a cognitive script, on which confrontational substrategies are being built.
The study presents a contrastive analysis of two distinct sound systems, namely, those of Persian and English. It provides a descriptive analysis and a contrastive study of consonants and vowels of these languages, expatiating on the similar and dissimilar features of the two sound systems. Dissimilarities are especially important since they may result in production of deviant sounds by foreign language learners.
The paper represents the results of a linguistic experiment aimed at establishing if the sounding of different fantasy brand names can cause the same associations in collective consciousness. The experiment drew upon crowdsourcing. The data received can be useful for marketing phonosemantics in relation to the methods used for the creation of new brand names.
The Gothic worldview is understood as a manifestation of the environment’s reflection in peoples’ thoughts, which shows the perception of real and unreal / supernatural worlds in their symbiosis and determines the human’s role in it. LIFE and DEATH are universal concepts of culture and most fully they can be shown in the form of frame, the main structural elements of which are ACTANTS, PREDICATES, QUANTIFIERS, PLACE, and TIME.
The article focuses on individual speech behavior of Russian-speaking prosecutors in implicit pragmalinguistics in the 19th-20th centuries. Speech signals of corresponding implicit strategies (“Participation/Nonparticipation of members of communication in a speech event”, “Sure/Unsure speech behavior of an author”, “The sender’s formation of addressee’s attitude to a speech event by evaluation”) actualizing the senders’ speech behavior in Russian are established. We count the frequency of the planes’ actualisation, form and interpret the senders’ speech portraits, diagnose individual features of speech behavior of prosecutors of Russian-speaking linguocultures.
The article focuses on the study of lexical means expressing the category of the Mystic in English Gothic narration of the 18th century. The mystic in early Gothic prose is viewed as a genre characteristic based on the atmosphere of escalating fear in the face of the unknown and connected with the motif of mystery, belief in the supernatural and irrationalism as a specific way of world perception. The research proceeds from the conceptual category as a universal notional constant to its linguistic interpretation in a systemic presentation within a synchronic approach.
The article explores pragmasemantic aspects of the speech act of threat (SAT) in everyday conflict discourse, using examples from Russian colloquial speech. The authors analyze the impact of direct and indirect threats on the addressee from the point of view of the theory of speech acts, biopsychology, and physiology, which makes it possible to understand the nature of SATs and identify the key communicative and semantic factors of this type of speech acts.
The research is concerned with contrasting regularities vs. ambiguities in identity and quality face construction by Oscar winners in their acceptance speeches. The concept of “face” is viewed here from evaluative, socio-contextual, and interactive perspectives. The research focuses on determining the identity (social) and quality (personal) faces of the awardees as specified by the sets of the corresponding role invariants.
The research is concerned with the phonotactic, morphotactic, graphic, logical, derivational, and syntactic features of clipped English slang neologisms coined in the early 21st century. The main preconceptions concerning clipping per se are revisited and critically rethought upon novel slang material. An innovative three-level taxonomy of clippings is outlined. The common and distinctive features of diverse types of clipping are identified and systemized.