Slovenské divadlo : revue dramatických umení (The Slovak Theatre : Review of Dramatic Arts) is a quarterly double-blind peer-reviewed journal of theory and history of theatre, film, radio broadcasting and television art. It is the only and the oldest Slovak journal with this kind of interdisciplinary and interspecific focus. Established in 1953, The Slovak Theatre continues to be published continually ever since with current number of 400-450 pages per year. Its essential function is to provide a prestigious platform for theatre and film studies and theoretical thinking, including continual search for collaboration with reputable authors as well as promising doctoral students. Since 2016, the yearly structure of content was modified to three (usually monothematic) issues in Slovak (or Czech) and one in English language.
The main subjects covered by Slovenské divadlo:
Art, Architecture & Design;
Theatre & Film Studies.
The journal does not have article processing charges (APCs) nor article submission charges.
Similarity Check Plagiarism Screening System
The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process.
Slovenske divadlo /The Slovak Theatre is covered by the following services:
CEEOL - Central and Eastern European Online Library
CNKI Scholar (China National Knowledge Infrastructure)
CNPIEC - cnpLINKer
DOAJ (Directory of Open Access Journals)
EBSCO (relevant databases)
EBSCO Discovery Service
ERIH PLUS (European Reference Index for the Humanities and Social Sciences)
KESLI-NDSL (Korean National Discovery for Science Leaders)
MLA International Bibliography
Primo Central (ExLibris)
ProQuest (relevant databases)
QOAM (Quality Open Access Market)
Summon (Serials Solutions/ProQuest)
Editor-in-Chief Michaela Mojžišová, Institute of Theatre and Film Research, Slovak Academy of Sciences, Slovakia
Deputy/ Managing Editor Elena Knopová, Institute of Theatre and Film Research, Slovak Academy of Sciences, Slovakia
Editorial Advisory Board Andrej Maašík, Slovak republic – Institute of Theatre and Film Research of the SAS, Slovakia Sylvia Huszár, Hungarian Theatre Museum and Institute in Budapest, Hungary Al'ona Karas, The Russian University of Theatre Arts in Moscow, Russia Olga Katafiasz, The Ludwik Solski State Theatre School in Cracow, Poland Tatjana Lazorèáková, Palacký University in Olomouc, Czech Republic Danièle Monmarte, Emeritus Researcher of CNRS in Paris, France Jan Vedral, Academy of Performing Arts in Prague, Czech Republic Ida Hledíková, Academy of Performing Arts in Bratislava, Slovak Republic Elena Knopová, Institute of Theatre and Film Research of the SAS, Slovak Republic Nadežda Lindovská, Academy of Performing Arts in Bratislava, Slovak Republic Miloš Mistrík, Institute of Theatre and Film Research of the SAS, Slovak Republic Ján Sládeèek, Academy of Arts in Banská Bystrica, Slovak Republic
Editors Michaela Mojžišová, Institute of Theatre and Film Research, Slovak Academy of Sciences, Slovakia Andrej Maašík, Institute of Theatre and Film Research, Slovak Academy of Sciences, Slovakia Jana Dudková, Institute of Theatre and Film Research, Slovak Academy of Sciences, Slovakia Lucia Otrísalová, Department of British and American Studies, Fakulty of Arts, Comenius University in Bratislava
Language Editors Ol'ga Ruppeldtová
Technical Editors Janka Janíková, VEDA, Publishing House of SAS, Slovak Republic
Publisher DE GRUYTER OPEN Bogumiła Zuga 32A Str. 01-811 Warsaw, Poland T: +48 22 701 50 15