Canti prophani by Sabin Pautza: innocent child’s play illustrated through elaborate composition play

Open access

Abstract

Composer Sabin Pautza’s creation, of a style diversity that is rare in the contemporary landscape of Romanian music, stands out through its effervescence and colourfulness, backed by the extraordinary mastery of writing techniques. The work we are referring to in this article, Canti prophani, is a vocal-symphonic suite written for a children’s choir. The suite includes three contrasting miniatures (fast-slow-fast), united through their motif, Maico, Maico..., Dalbe flori and Dimineața ziua bună, representing a translation into music language of the main features of childhood games: repetitive action, rhythm, word play. In terms of language, the children’s choir is assigned only the pure sonority of diatonic modes, while the orchestra overlays harmonic and polyphonic structures that are much more elaborate. The lay character of the lyrics, underlined in the suite’s title, shifts the emphasis from the religious area to that of purity of heart and of sincere joy, the focus being on the high emotions around the feast of Christmas. This brief analytical examination will only highlight the main approaches to the sound material, looking at both archaic influences and at the modern composition techniques, as well as at the manner in which the two blend together. The actual thread that binds all three sections of this work, the image of the mother, occurs everywhere, as the mother is invoked throughout the length of the three parts.

Buciu, D. (1981). Elemente de scriitură modală [Μοdal musical writing elements]. București: Editura Muzicală.

Cozmei, M (2010). Pagini din istoria învățământului artistic modern din Iași la 150 de ani [Pages of the history of modern artistic education in Iaşi at 150 years from its foundation]. Iași: Editura Artes.

Pautza, S. (1973). Canti prophani – suită pentru cor de copii, 2 piane, celestă și percuție (manuscris) [Canti prophani – suite for children’s choir, celeste and percussion (manuscript)]. Iași: Biblioteca Universității de Arte „George Enescu”.

Pautza, S (1978). Ofranda copiilor lumii – scene pentru trei grupuri vocale mixte și percuție [Offering to the children of the world – scenes for three mixed vocal groups and percussion]. București: Editura Muzicală.

Pautza, S. (1988). Canti prophani – per coro di bambini ed orchestra [Canti prophani – for children’s choir and orchestra]. New York: San Nicobian Edition.

Sandu-Dediu, V (2002). Muzica românească între 1944-2000 [Romanian Music between 1944-2000]. București: Editura Muzicală.

Vasiliu, A (2005). Dialoguri neprotocolare [Nonprotocol dialogues]. Iași: Editura Cronica.

Voiculescu, D (2005). Polifonia secolului XX [The poliphony of the 20th century] București: Editura Muzicală.

Journal Information

Metrics

All Time Past Year Past 30 Days
Abstract Views 0 0 0
Full Text Views 39 39 6
PDF Downloads 35 35 4